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Our religion is itself profoundly sad - a religion of universal anguish, and one which, because of its very catholicity, grants full liberty to the individual and asks no better than to be celebrated in each man's own language - so long as he knows anguish and is a painter.
Modernity is the transitory, the fugitive, the contingent, which make up one half of art, the other being the eternal and the immutable. This transitory fugitive element, which is constantly changing, must not be despised or neglected.
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
France at the dinner table in faraway places; but here, among ourselves, in the family, let us face the facts: France is not poetic; to tell the truth, she even feels a congenital horror of poetry. Among the writers who use verse, those whom she will always prefer are the most prosaic.
The lover of life makes the whole world into his family, just as the lover of the fair sex creates his from all the lovely women he has found, from those that could be found, and those who are impossible to find.
In order for the artist to have a world to express he must first be situated in this world, oppressed or oppressing, resigned or rebellious, a man among men.
Nature is a temple in which living columns sometimes emit confused words. Man approaches it through forests of symbols, which observe him with familiar glances.
The pleasure we derive from the representation of the present is due, not only to the beauty it can be clothed in, but also to its essential quality of being the present.
Any newspaper, from the first line to the last, is nothing but a web of horrors, I cannot understand how an innocent hand can touch a newspaper without convulsing in disgust.
What is exhilarating in bad taste is the aristocratic pleasure of giving offense.
There are as many kinds of beauty as there are habitual ways of seeking happiness.
It is from the womb of art that criticism was born.
In literature as in ethics, there is danger, as well as glory, in being subtle. Aristocracy isolates us.
If the poet has pursued a moral objective, he has diminished his poetic force.
I am unable to understand how a man of honor could take a newspaper in his hands without a shudder of disgust.
Even if it were proven that God didn't exist, Religion would still be Saintly and Divine.
Beauty is the sole ambition, the exclusive goal of Taste.
Anybody, providing he knows how to be amusing, has the right to talk about himself.
To say the word Romanticism is to say modern art - that is, intimacy, spirituality, color, aspiration towards the infinite, expressed by every means available to the arts.
Poetry and progress are like two ambitious men who hate one another with an instinctive hatred, and when they meet upon the same road, one of them has to give place.
Who would dare assign to art the sterile function of imitating nature?
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