Explore Quotes by David Bowie

Anxiety and spiritual searching have been consistent themes with me, and that figures into my worldview. But I tend to make my songs sound like relationship songs.

The truest form of any form of revolutionary Left, whatever you want to call it, was Jack Kerouac, E.E. Cummings, & Ginsberg's period. Excuse me, but that's where it was at.

I never thought I would be such a family-oriented guy; I didn't think that was part of my makeup. But somebody said that as you get older, you become the person you always should have been, and I feel that's happening to me.

I'm responsible for starting a whole new school of pretension.

Being a hybrid maker off and on over the years, I'm very comfortable with the idea and have been the subject of quite a few pretty good mash-ups myself.

My father worked for a children's home called Dr. Barnardo's Homes. They're a charity.

There's an effort to reclaim the unmentionable, the unsayable, the unspeakable, all those things come into being a composer, into writing music, into searching for notes and pieces of musical information that don't exist.

The Americans at heart are a pure and noble people; things to them are in black and white. It's either 'rawk' or it's not. We Brits putter around in the grey area.

I guess, taking away all the theatrics or the costuming and the outer layers of what I do, I'm a writer... I write.

I wanted to imbue Ziggy with real flesh and blood and muscle, and it was imperative that I find Ziggy and be him.

I'm very good at what I do, and I don't turn my hand to something unless I'm very good at it, frankly.

GYBE are among my, erm, two favourite Montreal bands, Arcade Fire being the other.

I knew that I was 'interesting' at 18 because I was aware that I could get away with doing things on stage.

You get to a certain age, and you are forbidden access. You're not going to get the kind of coverage that you would like in music magazines; you're not going to get played on radio, and you're not going to get played on television. I have to survive on word of mouth.

I do some kind of work, whether writing or painting or recording, on a daily basis. And it's so essential that when I'm involved in the actual process, my so-called 'real life' becomes almost incidental, which becomes worrying.

Now I realize that from '72 through to about '76, I was the ultimate rock star. I couldn't have been more rock star.

I don't have a problem with ageing - in fact, I embrace that aspect of it. And am able to and obviously am going to be able to quite easily... it doesn't faze me at all.

If I had a talent, it was for looking askew at everything, possibly more than my contemporaries. But I had to really push myself to be a writer.

My son's full real name is Duncan Zowie Haywood. As a toddler, he was called by his second name Zowie. But it was such an identifiable name during the Seventies that if I called him loudly in public places, everyone would turn to stare, so I started calling him Joey to take the pressure off.

All Montreal bands have around nine members, I believe.

I do value the respect I get from my contemporaries, but to have Oasis cover my song, to have Puff Daddy cover a song, to have Goldie come along to my gigs - that's where my ego is at. To have my fellow musicians like what I do, that's very cool.