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The secret of a successful art career is to make more art that folks think they need than pieces they just want. When a piece of art emotionally connects with a person the work becomes a need. You are then on your way to becoming successful.

Captain Lone Wolf Gonzaullas was one of a kind. I'm sure he would agree to this truth, If you continuously compete with others, you will become bitter. If you constantly compete with yourself, you can become great.

Luck is when preparation meets opportunity. I'll share the formula I learned while forging my way forward as a full-time painter for forty-four years. The steps all break down to one simple sentence: Make art that connects with enough folks for you to earn a splendid living.

Worry means tormenting yourself with disturbing thoughts or fretting about things we have zero control over. If you live in the north there is no need to worry about the snow. You will get plenty each year. If you live in California or Texas you needn't worry about rain because we won't receive any.

The bottom line is we must get off our duff and make an effort to succeed. Trust me on this, when you see someone successful in any of the arts they have been willing to make an extra effort.

If you have twenty guys in the room and you just bring in one girl, you change the entire mood and everyone plays different.

Life is simple unless we find a way to make it complicated.

I have a suggestion for all of those award seekers and blue ribbon hunters. Spend your efforts on making art that connects with people. Awards impress the grandkids but they don't move the gauge on selling your product. Art needs to touch the emotions of the buyer.

This generation is so dead. You ask a kid, 'What are you doing this Saturday?' and they'll be playing video games or watching cable, instead of building model cars or airplanes or doing something creative. Kids today never say, 'Man, I'm really into remote-controlled steamboats.'

The biggest failures come round and spring ultimate surprises of survival.

I was in a Montessori school. There was a drum circle with all the kids passing around a little bongo drum. I was the last person in the circle, and when it got to me I played 'Shave and a Haircut, Two Bits' - in front of all the parents. Blew the crowd away at five years old.

I've always felt it's ridiculous to say, of any of the females in my life: You're my friend, you're my wife, you're my girlfriend, you're my co-worker. 'This is your box, and you're not allowed to stray outside of it.'

Any man with a microphone can tell you what he loves the most.

It's a sound bite. It's very of this age, because that's what people want.

Music is what I have to do, I only answer the questions so that I can do it.

Technology is a big destroyer of emotion and truth. Auto-tuning doesn’t do anything for creativity. Yeah, it makes it easier and you can get home sooner; but it doesn’t make you a more creative person. That’s the disease we have to fight in any creative field: ease of use.

My mother was 45 when she had me, so when I was in high school my parents were the same age as my friends' grandparents.

I think you can't really escape any kind of spiritual education as a child, whether it's New Age or Judaism or Buddhism or whatever it is. You can't escape it, even if you completely disagree with it, you still have it as a foundation that you base things off of.

Vinyl is the real deal. I've always felt like, until you buy the vinyl record, you don't really own the album. And it's not just me or a little pet thing or some kind of retro romantic thing from the past. It is still alive.

Well you're in your little room_x000D__x000D_and you're working on something good_x000D__x000D_but if it's really good_x000D__x000D_you're gonna need a bigger room_x000D__x000D_and when you're in the bigger room_x000D__x000D_you might not know what to do_x000D__x000D_you might have to think of_x000D__x000D_how you got started sitting in your little room

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