Great work comes from great joy. Leave the angst for the movies; do art - that is fun.
Jack WhiteRead
Luck is when preparation meets opportunity. I'll share the formula I learned while forging my way forward as a full-time painter for forty-four years. The steps all break down to one simple sentence: Make art that connects with enough folks for you to earn a splendid living.
Interpretation
Success comes from being prepared when the right opportunity arises.
Jack White's quote emphasizes that luck is not merely a random occurrence; rather, it is the result of thorough preparation and the ability to recognize and seize opportunities when they present themselves. He shares his personal experience of building a successful career in art, underscoring the importance of creating meaningful connections through one's work to achieve financial stability and fulfillment.
In practice
This quote could be used in an art school graduation speech to inspire graduates.
Great work comes from great joy. Leave the angst for the movies; do art - that is fun.
I have so much music inside me I'm just trying to stay afloat. I don't tend to write for a particular band - you have to just write the songs and then let God into the room and let the music tell you what to do.
I'm one of those people that you have to keep your eye on or I'll wander off into the woods and forget to come back.
The fact that we elected Obama was a sign that the black struggle inherent in the blues and so much of the music I have loved can triumph.
I keep guitars that are, you know, the neck's a little bit bent and it's a little bit out of tune. I want to work and battle it and conquer it and make it express whatever attitude I have at that moment. I want it to be a struggle.
Vinyl is the real deal. I've always felt like, until you buy the vinyl record, you don't really own the album. And it's not just me or a little pet thing or some kind of retro romantic thing from the past. It is still alive.
To be a great painter means to be a great poet: someone who transcends the limits of his language.
There are many different styles of, and approaches to, tap. My own leans towards a more intellectual view: tap dancing not just for the sake of entertainment but to educate and spark emotion.
Novelists embody plural selves all the time. What are characters, after all, if not other selves?
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
I don't go into the studio with the idea of 'saying' something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue.
Just as anyone who listens to the muse will hear, you can write out of your own intention or out of inspiration. There is such a thing. It comes up and talks. And those who have heard deeply the rhythms and hymns of the gods, can recite those hymns in such a way that the gods will be attracted.
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