The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Interpretation
What this quote means
The quote emphasizes the importance of perception over technical skill in photography.
Henri Cartier-Bresson highlights that a camera should be viewed primarily as a tool for capturing moments and conveying stories, rather than an object of fascination solely for its mechanical aspects. He argues that many photographers become overly focused on mastering techniques, which can distract them from the more essential skill of truly seeing and understanding what they are photographing—suggesting that great photography comes from a deep appreciation of the subject matter rather than just technical prowess.
Themes
In practice
Example use cases
During a photography workshop, this quote can inspire participants to focus on their observations rather than just technical skills.
More from Henri Cartier-Bresson
All quotes →Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
Similar quotes
You love all your characters, even the ridiculous ones. You have to on some level; they're your weird creations in some kind of way. I don't even know how you approach the process of conceiving the characters if in a sense you hated them. It's just absurd.
Remember always that the composer's pen is still mightier than the bow of the violinist; in you lie all the possibilities of the creation of beauty.
Why not do something strange and different for once? Artists can do whatever they want!
There is no such thing as realistic dialogue. If you [simply recorded] the real conversation of any people and played it back from the stage, it would be impossible to listen to. It would be redundant . . . . The good dialogue writer is the one who can give you the impression of real speech.
And If the surgeon is like a poet, then the scars you have made on countless bodies are like verses into the fashioning of which you have poured your soul.
For years, I sort of would try to write a story that somehow fit the title. And I don't think it happened for maybe another four years that I actually thought of a story, the plot of a story that corresponded to that phrase.