The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Interpretation
What this quote means
The quote emphasizes the importance of perception over technical skill in photography.
Henri Cartier-Bresson highlights that a camera should be viewed primarily as a tool for capturing moments and conveying stories, rather than an object of fascination solely for its mechanical aspects. He argues that many photographers become overly focused on mastering techniques, which can distract them from the more essential skill of truly seeing and understanding what they are photographing—suggesting that great photography comes from a deep appreciation of the subject matter rather than just technical prowess.
Themes
In practice
Example use cases
During a photography workshop, this quote can inspire participants to focus on their observations rather than just technical skills.
More from Henri Cartier-Bresson
All quotes →Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
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I maintain that anyone who still refuses to see, for instance, a horse galloping on a tomato, must be an idiot. A tomato is also a child's balloon - Surrealism, again, having suppressed the word "like."
It's time for storytellers to tell the stories that have not had the privilege of being shown to the world, and the audience will be there.
I think of writing as a sculptural medium. You are not building things. You are removing things, chipping away at language to reveal a living form.
Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunity didn't necessarily knock every day, is what gave me this sensibility and drove me to explore my fascination with art.
A poem begins with a lump in the throat