There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunity didn't necessarily knock every day, is what gave me this sensibility and drove me to explore my fascination with art.
Interpretation
The quote reflects how a challenging environment influenced the author’s passion for art.
Kehinde Wiley's quote reveals the profound impact of his upbringing in South Central Los Angeles on his artistic journey. Growing up as a Black child in a community where opportunities were scarce shaped his sensitivity to the world around him, igniting a deep fascination with art as a means of expression and exploration. His experiences served not only as a backdrop for his creativity but also as a source of inspiration that drives his work.
In practice
In a speech about the importance of diversity in art, this quote could highlight the influence of personal background.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
Stories helped me unite parts of my existence that might otherwise have seemed irrevocably split by geography and time. And stories helped me find a future in which I, such a mongrel, could be comfortable.
Writing fiction is an inherently political activity because people-even imaginary ones-do not live in vacuums... From Twilight to Romeo and Juliet to The Little Mermaid, no work of the imagination is truly apolitical, because the world and our hopes for it are always part of our stories.
One never knows what one is going to do. One starts a painting and then it becomes something quite different.
The song is ended, but the melody lingers on.
I love that because that's what I'm supposed to be doing - whether it's accepted b everybody or not. I'm supposed to be pushing that envelope and trying new things. And people are supposed to say, Hov, you might have went too far.
Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.
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