There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
Interpretation
This quote emphasizes the importance of representation in art, particularly for marginalized communities.
Kehinde Wiley expresses the significance of including black men in art, stating that painting reflects the reality of the world we inhabit. By choosing to represent black men, he acknowledges their existence and importance, highlighting the narrative that art should encompass diverse perspectives and experiences.
In practice
This quote could be shared during an art exhibition focused on diversity in the arts.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible.
What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one... It’s this in-between that I’m calling a province, this frontier country between the tangible world and the intangible one - which is really the realm of the artist.
So every creative act strives to attain an absolute status; it longs to create a world of beauty to triumph over chaos and convert it to order.
In a strange way, architecture is really an unfinished thing, because even though the building is finished, it takes on a new life. It becomes part of a new dynamic: how people will occupy it, use it, think about it.
I try with my pictures to raise a question, to provoke a debate, so that we can discuss problems together and come up with solutions.
Every morning upon awakening, I experience a supreme pleasure: that of being Salvador Dali, and I ask myself, wonderstruck, what prodigious thing will he do today, this Salvador Dali.
We wait for the tortoises to come. We wait for that lady who walks them. That’s how art works. It’s never a jackrabbit, or a racehorse. It’s the tortoises that hold all the secrets. We’ve got to be patient enough to wait for them.
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