There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible.
Interpretation
Engaging with art requires presence and genuine participation, making it a unique and meaningful experience.
Kehinde Wiley's quote emphasizes the importance of being physically present to truly appreciate art, such as painting and sculpture. This necessity for direct engagement highlights the inherent beauty and the irreplaceable, tangible nature of these art forms, suggesting that they evoke deeper emotions and connections when experienced in person rather than through digital or reduced forms.
In practice
In an art class, the teacher might say this quote to encourage students to engage more deeply with their work.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
The sketch hunter moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook.
When you're lucky enough to have a good film made of your novel - and 'Never Let Me Go' is, believe me, a heartbreakingly good film indeed - you get wonderfully talented individuals each focusing on their special area.
I might be in the basement. I'll go upstairs and check. We adore chaos because we love to produce order. I don't use drugs; my dreams are frightening enough.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
You don't find a style. A style finds you
If all your life means to you is water running over rocks, then photograph it, but I want to create something that would not have existed without me.
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