There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
Interpretation
The quote expresses a desire to challenge artistic boundaries and blend various cultural influences into a cohesive work.
Kehinde Wiley emphasizes his approach to art as a means of defying traditional classifications, whether they pertain to high art versus pop culture or preconceived notions of what art should be. He seeks to create pieces that celebrate diversity by merging various cultural influences, thereby encouraging viewers to reconsider their expectations and the definitions of art itself.
In practice
This quote can be used in an art exhibition to encourage attendees to appreciate the diversity of influences in contemporary art.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible.
Nothing is more odious than music without hidden meaning.
Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens.
No great artist ever sees things as they really are. If he did, he would cease to be an artist.
Prose is admittedly an art rooted in social intercourse, and a fiction writer is faster to find a common denominator with his cell mates than a poet is.
What I always wanted to get seen as was as a good actor, when it was the acting I was doing. When I'm writing, I want to try to be seen as a good writer.
Every time Jimmy Scott sings, it's the same but slightly different. I don't know how he does that or where he gets that from. I think it's instinct. Nothing he does is by chance; he's in complete control of what he's doing. He's just beautiful and unique.
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