The challenge for a nonfiction writer is to achieve a poetic precision using the documents of truth but somehow to make people and places spring to life as if the reader was in their presence.
Simon SchamaRead
I would passionately make the case that the harder the times, the more we need things that aren't just about keeping our job and making a buck - important though those things are. Arts programming isn't some sort of add-on or ornamental luxury.
Interpretation
This quote emphasizes the importance of art during difficult times, suggesting that it is essential rather than a luxury.
Simon Schama argues that in challenging times, we require more than just economic security; we need cultural and artistic expressions that enrich our lives. He suggests that the arts should not be viewed as mere accessories to our existence but as fundamental components that provide meaning and solace, especially when faced with adversity.
In practice
In a speech about community resilience, one might use this quote to advocate for arts funding.
The challenge for a nonfiction writer is to achieve a poetic precision using the documents of truth but somehow to make people and places spring to life as if the reader was in their presence.
In its Greek origins, historia meant inquiry, and from Thucydides onwards, the past has been studied to understand its connections with the present.
Jewish history turns out not to be an either/or story - as in, either pure Judaism detached from its surroundings or else assimilation - but rather, for the vast majority, the adventure of living in between.
I understood when I was quite small that there were two special things about the Jews. That we'd endured for over 3,000 years despite everything that had been thrown at us, and that we had an extraordinarily dramatic story to tell.
History is admirably dangerous. It is not the soft option. Teachers need to be grown up and brave. Sensitivity is fine, but it stops at the door of honest narrative.
History gives you insight of the same quality of truth as poetry or philosophy or a novel.
Publishing a short story can sometimes feel like shouting into the dark... your words come out, and then nothing... but I don't think that's why I tend to write novels rather than stories.
Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object.
100 years of Indian cinema has happened. Anything you do, feels like it has already been done. The struggle is to find a new and unique idea.
Fiction is an elemental force, which has the power to shape reality in its own image - or images, I should say - because reality, like light, exists not only as a single point or particle, but also as an array of possibilities.
A man of eighty has outlived probably three new schools of painting, two of architecture and poetry and a hundred in dress.
The thing I have always tried to do is surprise people: to present them with something they didn't expect.
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