Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
Daniel LibeskindRead
In a strange way, architecture is really an unfinished thing, because even though the building is finished, it takes on a new life. It becomes part of a new dynamic: how people will occupy it, use it, think about it.
Interpretation
Architecture evolves beyond its physical form as it interacts with its inhabitants and their experiences.
Daniel Libeskind's quote emphasizes that architecture is not just a static structure but a living entity that changes over time as people engage with it. Once a building is completed, its significance and functionality transform based on human interaction, making architecture a dynamic expression of culture and community.
In practice
This quote can be used during a presentation on modern architecture to highlight its evolving nature.
Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
There are more people living in Lower Manhattan now than before the terrorist attacks. That's faith for you. There's such a strong spirit here.
Architecture is not just for the moment, it is not just for the next fashion magazine.
And you have to remember that I came to America as an immigrant. You know, on a ship, through the Statue of Liberty. And I saw that skyline, not just as a representation of steel and concrete and glass, but as really the substance of the American Dream.
I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.
Architecture is not based on concrete and steel, and the elements of the soil. It's based on wonder.
Literature is a beautiful way of keeping the imagination alive, of visiting worlds you would never have time to in your day-to-day life. It keeps you abreast of a wider spectrum of human activities.
The great thing about performance capture is you can go off, and then, without changing costume, you can become another character.
Architecture, like dance, is also a language - one that everybody understands.
Something happens when you feel that energy and excitement from the audience. And you do, I don't know, four pirouettes. You jump higher than you ever have. And it's just this really magical thing that happens in those moments.
I want my buildings to take root and look as if they've always been there. It isn't about pastiche or adapting what's already there. It's about trying to blend the future and the past.
Every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure, a cadence, a quality of voice that is exclusively the writer's own, individual, unique.
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