Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
Daniel LibeskindRead
I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.
Interpretation
Design plays a crucial role in shaping our environments, influencing how we experience life.
In the 21st century, there is a growing recognition of the importance of design not only in grand spaces like museums and concert halls but also in everyday living environments. This awareness suggests that the aesthetics and functionality of our spaces significantly impact our quality of life and interaction with the world around us.
In practice
Citing this quote during a TED talk about urban architecture.
Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
There are more people living in Lower Manhattan now than before the terrorist attacks. That's faith for you. There's such a strong spirit here.
Architecture is not just for the moment, it is not just for the next fashion magazine.
And you have to remember that I came to America as an immigrant. You know, on a ship, through the Statue of Liberty. And I saw that skyline, not just as a representation of steel and concrete and glass, but as really the substance of the American Dream.
In a strange way, architecture is really an unfinished thing, because even though the building is finished, it takes on a new life. It becomes part of a new dynamic: how people will occupy it, use it, think about it.
Architecture is not based on concrete and steel, and the elements of the soil. It's based on wonder.
Designing is a matter of concentration. You go deep into what you want to do. It's about intensive research, really. The concentration is warm and intimate and like the fire inside the earth - intense but not distorted. You can go to a place, really feel it in your heart. It's actually a beautiful feeling.
I think now that the great thing is not so much the formulation of an answer for myself, for the theater, or the play-but rather the most accurate possible statement of the problem.
I see little of more importance to the future of our country and of civilization than full recognition of the place of the artist. If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.
It's a great thing that the United States has given the rest of the world - no other country has given such great popular music to the Far East and Europe. When I play those great countries, a lot of times, the audience starts singing the songs with me. They know them. They love them.
The pen is the language of the soul; as the concepts that in it are generated, such will be its writings.
After the last line of a poem, nothing follows except literary criticism.
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