There are more people living in Lower Manhattan now than before the terrorist attacks. That's faith for you. There's such a strong spirit here.
Daniel LibeskindRead
Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
Interpretation
Winning an architectural competition often means little if the design is never realized.
Daniel Libeskind's quote highlights the reality that although winning prestigious competitions may bring recognition to architects, most designs remain unrealized and fade into obscurity. This reflects the gap between creative ideas and their practical implementation in the built environment, suggesting that the creative process is not just about accolades but also about how ideas translate into reality.
In practice
During a presentation on the challenges of bringing architectural ideas to life, you might quote Libeskind to emphasize the importance of actual implementation.
There are more people living in Lower Manhattan now than before the terrorist attacks. That's faith for you. There's such a strong spirit here.
Architecture is not just for the moment, it is not just for the next fashion magazine.
And you have to remember that I came to America as an immigrant. You know, on a ship, through the Statue of Liberty. And I saw that skyline, not just as a representation of steel and concrete and glass, but as really the substance of the American Dream.
In a strange way, architecture is really an unfinished thing, because even though the building is finished, it takes on a new life. It becomes part of a new dynamic: how people will occupy it, use it, think about it.
I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.
Architecture is not based on concrete and steel, and the elements of the soil. It's based on wonder.
I start from one point and go as far as possible. But, unfortunately, I never lose my way. I 'localize,' which is to say that I think always in a given space. I rarely think of the whole of a solo, and only very briefly. I always return to the small part of the solo that I was in the process of playing.
I don't have a clear biography of my own that I could recount in an interesting way. I'm made up of the characters that I pulled out of my head, that I invented.
Nothing is more odious than music without hidden meaning.
As far as I am concerned the paint is the person. I want it to work for me just as flesh does
Style is not something applied. It is something that permeates. It is of the nature of that in which it is found, whether the poem, the manner of a god, the bearing of a man. It is not a dress.
To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.
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