There are more people living in Lower Manhattan now than before the terrorist attacks. That's faith for you. There's such a strong spirit here.
Daniel LibeskindRead
Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
Interpretation
Winning an architectural competition often means little if the design is never realized.
Daniel Libeskind's quote highlights the reality that although winning prestigious competitions may bring recognition to architects, most designs remain unrealized and fade into obscurity. This reflects the gap between creative ideas and their practical implementation in the built environment, suggesting that the creative process is not just about accolades but also about how ideas translate into reality.
In practice
During a presentation on the challenges of bringing architectural ideas to life, you might quote Libeskind to emphasize the importance of actual implementation.
There are more people living in Lower Manhattan now than before the terrorist attacks. That's faith for you. There's such a strong spirit here.
Architecture is not just for the moment, it is not just for the next fashion magazine.
And you have to remember that I came to America as an immigrant. You know, on a ship, through the Statue of Liberty. And I saw that skyline, not just as a representation of steel and concrete and glass, but as really the substance of the American Dream.
In a strange way, architecture is really an unfinished thing, because even though the building is finished, it takes on a new life. It becomes part of a new dynamic: how people will occupy it, use it, think about it.
I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.
Architecture is not based on concrete and steel, and the elements of the soil. It's based on wonder.
The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
Paris was a universe whole and entire unto herself, hollowed and fashioned by history; so she seemed in this age of Napoleon III with her towering buildings, her massive cathedrals, her grand boulevards and ancient winding medieval streets - as vast and indestructible as nature itself.
I'll get cast occasionally as sort of the jerk version of myself, and I have fun doing that. But it's really better for everyone if I stay behind the camera.
One must do the same subject over again ten times, a hundred times. In art nothing must resemble an accident, not even movement.
In a poem the excitement has to maintain itself. I am governed by the pull of the sentence as the pull of a fabric is governed by gravity.
A film is like a battleground. It's love, hate, action, violence, deathβIn one word, emotions.
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