Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
Daniel LibeskindRead
Architecture is not based on concrete and steel, and the elements of the soil. It's based on wonder.
Interpretation
Architecture transcends mere physical materials and is rooted in the sense of wonder and inspiration it evokes.
Daniel Libeskind emphasizes that true architecture goes beyond just the tangible elements like concrete and steel. It is fundamentally about the emotional and imaginative experiences that structures can invoke in individuals, highlighting the importance of creativity and perception in the field of architecture.
In practice
In a presentation about modern architecture, you might say, 'As Daniel Libeskind reminds us, architecture is rooted in wonder, not just materials.'
Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
There are more people living in Lower Manhattan now than before the terrorist attacks. That's faith for you. There's such a strong spirit here.
Architecture is not just for the moment, it is not just for the next fashion magazine.
And you have to remember that I came to America as an immigrant. You know, on a ship, through the Statue of Liberty. And I saw that skyline, not just as a representation of steel and concrete and glass, but as really the substance of the American Dream.
In a strange way, architecture is really an unfinished thing, because even though the building is finished, it takes on a new life. It becomes part of a new dynamic: how people will occupy it, use it, think about it.
I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.
I thought Star Wars was too wacky for the general public.
As if no one had ever tried before, try to say what you see and feel and love and lose.
Music endures and ages far better than books. Books, made of words, are unavoidably attached to ideas, events, conflict, and history, but music has the power to transcend time. At least for a time. Palestrina sounds as fresh today as he did in 1555, but Dante, only three centuries older, already smells of the archaic, the medieval, the catacombs.
In the beginning you must subject yourself to the influence of nature. You must be able to walk firmly on the ground before you start walking on a tightrope.
I suspect that all the agony that goes into writing is borne precisely because the writer longs for acceptance-but it must be acceptance on his own terms.
I can explain all the poems that were ever invented - and a good many that haven't been invented just yet.
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