If a story doesn't give you a hard-on in the first couple of scenes, throw it in the goddamned garbage.
Samuel FullerRead
A film is like a battleground. It's love, hate, action, violence, death—In one word, emotions.
Interpretation
A film encapsulates a range of emotions and experiences, portraying the complexities of human feelings.
Samuel Fuller compares filmmaking to a battleground, emphasizing that films evoke intense emotions such as love, hate, action, and violence. This metaphor portrays cinema as an arena where various emotions clash and harmonize, reflecting the multifaceted nature of human experiences and relationships.
In practice
This quote is perfect for a discussion at a film festival highlighting the emotional depth of cinema.
If a story doesn't give you a hard-on in the first couple of scenes, throw it in the goddamned garbage.
I don't care if it's a mystery story, a Western, or the story of Julius Caesar. To me it's the emotion, the lies, the double-cross, whether it's Brutus doing it to Caesar or Bob Stack doing it to Robert Ryan that defines what kind of drama it is.
My first plays were amazingly bad, but I had a teacher who thought I had promise, and he kept working with me. I finally went to a summer workshop before my senior year with people like Sam Shepard and Maria Irene Fornes who encouraged me to write from my subconscious, and suddenly all this material about culture clash came out.
One of the ways my first novel failed was that I was too in love with my characters.
There is nothing harder to estimate than a writer's time, nothing harder to keep track of. There are moments—moments of sustained creation—when his time is fairly valuable; and there are hours and hours when a writer's time isn't worth the paper he is not writing anything on.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
Hip-hop was indifferent to Broadway. We didn't need Broadway, but I think Broadway needed hip-hop.
There are thousands of ragas, and they are all connected with different times of the day, like sunrise or night or sunset. It is all based on 72 of what we call 'mela' or scales. And we have principally nine moods, ranging from peacefulness to praying, or the feeling of emptiness you get by sitting by the ocean.
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