I try to give to my music the spiritual quality, very deep in the soul, which does something even if you are not realizing it or analyzing it - that's the duty of the music.
Ravi ShankarRead
There are thousands of ragas, and they are all connected with different times of the day, like sunrise or night or sunset. It is all based on 72 of what we call 'mela' or scales. And we have principally nine moods, ranging from peacefulness to praying, or the feeling of emptiness you get by sitting by the ocean.
Interpretation
Music is deeply tied to the times of day and evokes various emotions and moods.
Ravi Shankar highlights the intricate relationship between music and time, emphasizing that different ragas resonate with specific moments of the day. He suggests that music is not just sound but an emotional experience that can convey a range of feelings, from peace to emptiness, much like the natural world around us.
In practice
During a lecture about the impact of music on emotions, this quote can illustrate the connection between music and time.
I try to give to my music the spiritual quality, very deep in the soul, which does something even if you are not realizing it or analyzing it - that's the duty of the music.
I will keep playing as long as my body lets me, and as long as I'm wanted by my listeners. Because music is the only thing that keeps me going.
My secret ambition was always to provide music for animation films: something with an Indian theme, either a fairy tale or mythological tale or on the Krishna theme. I still have a very deep desire, but these sorts of chances don't always come.
I write as if I've lived a lot of things I haven't lived.
I always say I write because I have questions, not because I have answers. It's true that you begin the conversation - that's the role of the artist. But it's not my job to tell us what to do next. I wish I had those tools.
It is all very well to copy what one sees, but it is far better to draw what one now only sees in one's memory. That is a transformation in which imagination collaborates with memory.
Grace can never properly be said to exist without beauty; for it is only in the elegant proportions of beautiful forms that can be found that harmonious variety of line and motion which is the essence and charm of grace.
One must die to life in order to be utterly a creator.
I strive for an architecture from which nothing can be taken away.
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