If a story doesn't give you a hard-on in the first couple of scenes, throw it in the goddamned garbage.
Interpretation
A compelling story should evoke strong feelings from the start.
This quote by Samuel Fuller emphasizes the importance of immediate emotional engagement in storytelling. If a narrative fails to captivate or provoke a visceral reaction within the initial scenes, it is regarded as unworthy of continued attention, suggesting that impactful storytelling is essential for creating a successful narrative.
In practice
A filmmaker might use this quote when discussing the need for exciting openings in screenplays.
I don't care if it's a mystery story, a Western, or the story of Julius Caesar. To me it's the emotion, the lies, the double-cross, whether it's Brutus doing it to Caesar or Bob Stack doing it to Robert Ryan that defines what kind of drama it is.
A film is like a battleground. It's love, hate, action, violence, death—In one word, emotions.
I think it's important to earn your fan base and not just try to immediately advance to the top. If you ride to the top quickly, you're liable to fall as quickly. Take your time. It's a long journey ahead of you as an artist. There's nowhere that you're supposed to be other than right now living inside of your art.
In France, in Europe, the young artists of any generation always act as grandsons of some great man - Poussin, for example, or Victor Hugo. They can't help it. Even if they don't believe in that, it gets in their system. And so when they come to produce something of their own, the tradition is nearly indestructible.
Couture has copied my things for years, in addition to countless other costume designers, claiming theirs were the original ideas. It's all part of the business, unfortunately.
Music is always for the listener, but the first listener is always the musician
The state of female artists is very good. But the very definition of art has been biased in that 'art' was what men did in a European tradition and 'crafts' were what women and natives did. But it's actually all the same.
Drama assumes an order. If only so that it might have - by disrupting that order - a way of surprising.
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