The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Interpretation
The quote expresses a desire to capture the essence of a moment through photography.
Henri Cartier-Bresson emphasizes the importance of capturing the fleeting essence of moments as they unfold. He highlights the power of photography as a medium to encapsulate depth, emotion, and the transient nature of experiences in a single image, suggesting that true artistry lies in recognizing and seizing these moments.
In practice
This quote can be used during a photography workshop to inspire attendees to look for deeper connections in their photographs.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
Rock is my child and my grandfather.
I knew I had to write a Mass of my own, but a real one.
The study of acting consists in the main of getting out of oneβs own way, and in learning to deal with uncertainty and being comfortable being uncomfortable.
My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship.
If you don't have anything to say, your photographs aren't going to say much.
A great building must begin with the unmeasurable, must go through measurable means when it is being designed and in the end must be unmeasurable.
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