The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
Interpretation
This quote emphasizes the importance of perception over the technology used to create images.
Henri Cartier-Bresson's quote highlights that the ultimate purpose of pictures is to engage the viewer's gaze and provoke thought. While the methods and technologies of imaging are significant, the true essence lies in how we perceive and interpret what we see, suggesting that our ability to see and understand art is fundamental to its value.
In practice
In a speech about the role of art in society, one might say, 'As Henri Cartier-Bresson noted, pictures are not just about technology, but about how we engage with them.'
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
I shall, in due time, be a Poet.
Good architecture should be a projection of life itself, and that implies an intimate knowledge of biological, social, technical, and artistic problems.
A film is like a battleground. It's love, hate, action, violence, death—In one word, emotions.
Our scribblings are usually not lyrics but whirrings, without colour or resonance, like the tone of an engine-wheel. I believe that the cause lies in the fact that when people write, they forget for the most part to dig deeply into themselves and to feel the whole import and truth of what they are writing.
Every film is a remake of a previous film, or a remake of a television series that everyone loved in the 1960s, or a remake of a television series that everyone hated in the 1960s. Or it's a theme park ride; it will soon come to breakfast cereal mascots.
Finding beauty in a broken world is creating beauty in the world we find.
Subscribe for the occasional hand-picked quote. No noise.