The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Interpretation
Creating a portrait requires deep understanding and connection with the subject.
In this quote, Henri Cartier-Bresson expresses the challenge of capturing a true likeness in portrait photography. It suggests that to truly convey a person's essence, one must look beyond the surface and connect with who they are beneath their exterior, indicating the importance of intimacy and perception in art.
In practice
In a photography workshop discussing the challenges of capturing emotional depth in portraits.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
Tragedy is the highest form of art.
Do your art. But don't wreck your art if it doesn't lend itself to paying the bills. That would be a tragedy.
I write a lot of songs people don't hear. I really just enjoy the process. I finish 'em all. I don't think there's a whole lot of difference between the bad ones and the good ones.
Only truthful hands write true poems. I cannot see any basic difference between a handshake and a poem.
Stories are there to be told, and each story changes with the telling. Time changes them. Logic changes them. Grammar changes them. History changes them. Each story is shifted side-ways by each day that unfolds. Nothing ends. The only thing that matters, as Faulkner once put it, is the human heart in conflict with itself. At the heart of all this is the possibility, or desire, to create a piece of art that talks to the human instinct for recovery and joy.
Well, you put a little piece of yourself into every character that you do. Even if you're playing some psychotic person, which of course I'm not, some part of you is in that character and it's hopefully believable. I always come back to the fact that my own instinct is better than something I build in my mind.
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