The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Interpretation
Photography's essence remains unchanged, focusing on capturing moments rather than technical advancements.
Henri Cartier-Bresson's quote emphasizes that while the technical side of photography has evolved over time, the fundamental purpose of photography—capturing genuine moments and emotions—remains constant. He suggests that the heart of photography lies not in the technology used but in the ability to convey a story or feeling through an image.
In practice
In a photography workshop, one might use this quote to inspire students about the importance of vision over technique.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
Poetry is thoughts that breathe, and words that burn.
[Photography] puts a human face on issues which, from afar, can appear abstract or ideological or monumental in their global impact.
I'm not saying I wasn't flawed or amateurish. But you can never say I did anything to appease the music business.
I was honoured when they asked me to appear at the president's birthday rally in Madison Square Garden. There was like a hush over the whole place when I came on to sing 'Happy Birthday,' like if I had been wearing a slip, I would have thought it was showing or something. I thought, 'Oh, my gosh, what if no sound comes out!'
The words that come direct from the people are the greatest.If you substitute one out of your own vocabulary, it disappears before your eyes.
It's not that he lacked poetry. But his poetry was of the body, not the mind. He spoke it in the way he moved, the way he held a hammer, rowed a boat, built a fire. I, on the other hand, was like a brain in a box, a beating heart in a coal scuttle.
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