Great work comes from great joy. Leave the angst for the movies; do art - that is fun.
Jack WhiteRead
I keep guitars that are, you know, the neck's a little bit bent and it's a little bit out of tune. I want to work and battle it and conquer it and make it express whatever attitude I have at that moment. I want it to be a struggle.
Interpretation
Jack White reflects on the beauty of imperfect instruments and the creative struggle they represent.
In this quote, Jack White expresses his appreciation for guitars that may not be in perfect condition, emphasizing that the imperfections represent a challenge that he is eager to engage with. He sees the creative process as a battle, where he works to shape the music and convey his emotions, turning struggle into a source of artistic expression.
In practice
In a speech at a music workshop, you could use this quote to inspire budding musicians to embrace imperfections in their instruments.
Great work comes from great joy. Leave the angst for the movies; do art - that is fun.
I have so much music inside me I'm just trying to stay afloat. I don't tend to write for a particular band - you have to just write the songs and then let God into the room and let the music tell you what to do.
I'm one of those people that you have to keep your eye on or I'll wander off into the woods and forget to come back.
The fact that we elected Obama was a sign that the black struggle inherent in the blues and so much of the music I have loved can triumph.
Vinyl is the real deal. I've always felt like, until you buy the vinyl record, you don't really own the album. And it's not just me or a little pet thing or some kind of retro romantic thing from the past. It is still alive.
You want to figure out how you want to play the guitar; what your niche would be. Well you just start digging deeper. When you're digging deeper in rock and roll you're on a freight train heading straight for the blues.
The one thing a writer has to have is a pencil and some paper. That's enough, so long as she knows that she and she alone is in charge of that pencil, and responsible, she and she alone, for what it writes on that paper.
She didn't even have to smile, and she rarely did outside her house--it was the eyes, her dancer's carriage, the way she seemed to deliberate over the smallest movement of her body.
I'm tempted to say, 'Writing treatments is like designing a film by hiring six million monkeys to tear out pages of an encyclopedia, then you put the pages through a paper-shredder, randomly grab whatever intact lines are left, sing them in Italian to a Spanish deaf-mute, and then make story decisions with the guy via conference call.' But no... compared to writing treatments, that makes sense, too.
The Chess pieces are the block alphabet which shapes thoughts; and these thoughts, although making a visual design on the chessboard, express their beauty abstractly, like a poem
My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is.
Don't ever write just for a trend or fad, because it's a moving target, and by the time you get your work out there, the trend or fad is gone. Dig deep; don't be afraid to write fiercely. Expose your heart.
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