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Beyond the touchline there is nothing.
The blindness that opens the eye is not the one that darkens vision. Tears and not sight are the essence of the eye.
Surviving - that is the other name of a mourning whose possibility is never to be awaited.
We are given over to absolute solitude. No one can speak with us and no one can speak for us; we must take it upon ourselves, each of us must take it upon himself.
But because me and myself, as you no doubt are well aware, we are going to die, my relation—and yours too—to the event of this text, which otherwise never quite makes it, our relation is that of a structurally posthumous necessity. Suppose, in that case, that I am not alone in my claim to know the idiomatic code (whose notion itself is already contradictory) of this event. What if somewhere, here or there, there are shares in this non-secret’s secret? Even so the scene would not be changed. The accomplices, as you are once again well aware, are also bound to die.
A text is not a text unless it hides from the first comer, from the first glance, the law of its composition and the rules of its game. A text remains, moreover, forever imperceptible. Its laws and rules are not, however, harbored in the inaccessibility of a secret; it is simply that they can never be booked, in the present, into anything that could rigorously be called a perception.
Peace is only possible when one of the warring sides takes the first step, the hazardous initiative, the risk of opening up dialogue, and decides to make the gesture that will lead not only to an armistice but to peace.
Psychoanalysis has taught that the dead – a dead parent, for example – can be more alive for us, more powerful, more scary, than the living. It is the question of ghosts.
Cinema plus Psychoanalysis equals the Science of Ghosts.
I speak only one language, and it is not my own.
Such a caring for death, an awakening that keeps vigil over death, a conscience that looks death in the face, is another name for freedom.
I rightly pass for an atheist.
Monsters cannot be announced. One cannot say: 'Here are our monsters,' without immediately turning the monsters into pets.
The traditional statement about language is that it is in itself living, and that writing is the dead part of language.
I believe in the value of the book, which keeps something irreplaceable, and in the necessity of fighting to secure its respect.
Contrary to what phenomenology- which is always phenomenology of perception- has tried to make us believe, contrary to what our desire cannot fail to be tempted into believing, the thing itself always escapes.
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