Explore Quotes by Jonathan Dee

I am hopelessly devoted to paper. Nothing against e-readers of any sort - anything that keeps people reading is okay by me - but I am not, historically, an early adopter of such things.

I wrote my first novel in the same conditions as most first novelists - I had a full-time job, I shared an apartment, I had no time - and so I became a compulsive outliner of everything. Ever since then, my process has consisted of trying to forcibly rid myself of that compulsion.

New York is ultimately not the synthesis but merely the sum of its unfathomable subjectivities, its personal histories, its uncategorisable figures.

Children go from being a kind of cultural protectorate to the Junior Auxiliary of the tube-watching nation at large, and programs are designed for them on the same principle as they're designed for grown-ups: as a way to sell eyeballs to advertisers.

In order to describe a particular subculture, you might want to portray people who are typical or representative of that subculture; but to dramatize it, to make it an interesting setting for a story, you want to bring someone anomalous into that setting, to see how she conforms to it, and it to her.

It's nice to have something else going on when a book comes out so you're not just sitting by the phone, waiting for things to happen. You don't want to be the guy Googling himself all day.

When I read a book I liked, I would get a pen and one of my father's legal pads and rewrite it from memory as if I had thought of it myself. It was a clear sign that I wanted to be involved in writing, even if it was just pretend at that point.

I have no desire to write historical anything or futuristic anything - I want to find a way to get at the essence of what it's like to be alive now. The reason why great novels from centuries ago are still great is because that's what they were doing; it's like a message from another culture.

I think that good storytelling of any kind does promote a humility in that it encourages you to see the world the way that other people see it.

You never want to have to give your child bad news of any kind.

The first draft of everything, I write longhand. One of the nice things about that is that it makes you keep going. If you write a bad sentence on the computer, then it's very tempting to go back and fidget with it and spend another 20 minutes trying to make it into a good sentence.

I seem to have a talent for writing endings that seem just right to me but that frustrate other people.

There's no path to being a writer that's applicable to everyone. Some young writers have the fortitude to work in a vacuum. For me, it was important to have some sense that my failures weren't unique.

Those who know New York City primarily through tourism or mass culture may think of us natives as possessing certain shared characteristics, not all of them flattering. But the true, volatile charisma of New York lies in how balkanised it is.

Here is what I am not going to do: I am not going to go to a restaurant, take pictures of my food, download them, and call that a blog. That is beyond the pale. The Internet is such a bazaar of self-indulgences that I don't know why that particular one should bug me so much. But it really does.

Writers like to feel sorry for themselves, which is easy to do in private, but when called on to feel sorry for ourselves in social situations, we will often do so by sharing terrible book tour stories.

If you look at the practice of 'crisis management,' and maybe squint at it a little, you can make out in the corners of your vision the ghosts or the vestiges of a much older, but still thoroughly American, form of public life, one centered not on public opinion but on religion.

When I'm composing a scene for the first time, I try to imitate my character. The less critical distance the better - particularly when they're acting badly.

The first draft often is really fast, and I'd be terribly ashamed if anybody ever saw it.

'Anna Karenina.' I read it in college. I was so engrossed that I couldn't stop reading it and neglected all my other studies. I would go to the library even on nice warm weekends and just lock myself up. I think that was the first time that I felt transformed by a book.

I personally feel I still have so much to learn as a writer; each novel is better than the one before, just because I'm getting better at it.