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More than periods where I don't write anything, I have periods where I just write junk and I know I'm writing junk but I can't stop.
Tween programming is so retro that the shows even have theme songs, something the quest for more commercial time drove out of prime-time television years ago.
The don't-ask-don't-tell approach to plot and character that 'The Hurt Locker' relies on to set itself in motion doesn't offend me politically. It offends me as a storyteller.
That's always the most productive research - research into tone, into voice. Facts are nice, too, but facts are more raw material than creative inspiration.
Kenneth Branagh. There was a time in my life when people would tell me constantly that I look like him. I could do a lot worse than that.
John Dos Passos, Raymond Carver, Flaubert and William Maxwell were all very influential when I first started writing. Now, the writers I'm most interested in are the writers who are most unlike me: for example, Denis Johnson.
What could be more boring than a novel that tells you how to think about everything that happens in it?
It's not really an original idea, but there's something that goes along with power and celebrity that starts to make you feel like you're impervious to certain forces that the rest of us have to live with.
Don't get me wrong: I can and do waste time on the Internet with the best of them, but in some respects, I am an embarrassingly analog guy. I am not on Facebook. I write whole books on yellow legal pads. I do not own a cell phone.
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