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When you buy my books, you kind of know what you're in for. It's kind of self-selecting. If you have a delicate sensibility, and you're easily grossed out, you probably will never read one of my books.
I get really excited about specific therapies, personalized therapies. Like, let's say, taking a piece of someone's tumor and testing a bunch of treatments in a lab and being able to come up with the right therapy for that specific patient.
When I'm done with a book, I always give it to someone with expertise in the topic and tell them to flag all of my stupid mistakes.
I don't write on topics that require a lot of urgency. But in 'Stiff,' I wanted to change people's hearts about organ donation. Whenever I get a chance, I try to talk about that.
To me, NASA is kind of the magical kingdom. I was sort of a geek, and you go there, and there are just these wondrously strange things and people.
People don't appreciate their intestines until something goes wrong. But I always hope that people gain a little appreciation for their guts.
Science is you! It's your head, it's your dog, it's your iPhone - it's the world. How do you see that as boring? If it's boring, it's because you're learning it from a textbook.
Though it's harder to justify the use of a cadaver for practicing nose jobs than it is for practicing coronary bypasses, it is justifiable nonetheless. Cosmetic surgery exists, for better or for worse, and it's important, for the sake of those who undergo it, that the surgeons who do it are able to do it well.
I make lists to keep my anxiety level down. If I write down 15 things to be done, I lose that vague, nagging sense that there are an overwhelming number of things to be done, all of which are on the brink of being forgotten.
Gravitation is the lust of the cosmos.
For the most part, if somebody approaches me and says, 'I'd like to interview you,' who am I to say no, when I spend all my days going, 'Hello, you don't know me. I'd like to ask you some questions. Do you have a little time?'
I talk to a lot of people who, when you try to sum them up in a couple of sentences, seem like they must be insane.
Everybody is going to die, so people are enthralled by the possibility that they don't have to completely die, that there is something that comes afterward. It's like if you're going to France for the summer, you're going to read up on it. Everyone just wants to know where they're going, or if they're going anywhere.
To me, death is dark, pain, grief.
Picking my topics is sort of a process of elimination for me. Most things don't work for me. I like to cover science and unexpected things happening in labs. Also, theoretical research doesn't work for my style. I need scenes and interactions. Then, humor. I'm having the most fun when I can have fun with my work.
In terms of sustainability and what we eat and what its footprint is on the environment and the consequences of eating one thing versus another, obviously it makes a lot of sense to be eating insects. They're incredibly plentiful. They've got a very short turnover rate. You could be eating termites.
When I was a kid, I hated everything. I was really skinny, and I'd have a milkshake with an egg in it. Growing up, I ate, like, five different foods. I was not an adventurous eater. But as soon as I left home, that all changed and from that point on, I've been a pretty enthusiastic eater of new and strange food.
Editors are more concerned with the first chapters of a book; that's what everyone reads first in the bookstore or in the online sample.
I spend a lot of my time on the phone, pestering people. 'What's new in your lab? Can I come visit your lab? When can I come visit your lab?' I'm basically a professional pesterer.
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