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I have a whole regimen to my day: my vocal warm-ups, my prayers, my meditations... I pray three times a day. I try to have a real experience praying, not just do it. I really get deep into the idea and really try to get somewhere with it, to have an in-depth understanding of the idea.

People aren't religious because it's easy not to be. Like anything, it's habitual, and once it's a habit it's no longer hard.

When there's light shining on a tree, that tree takes on different meaning. If there's no light at all it just looks dead. If you look at light as godly meaning, the world comes alive in a certain way.

I think when you're a fan of music - at least the way I've been a fan to artists that have really touched me - you're with them for the long haul. They might do things that you don't understand or agree with, but I think I've always tried to hold my judgment and give them the space to do what they need to do.

Most of my life wasn't about knowledge from books, but experiential knowledge.

The world that I come from is the world of raves, hip-hop clubs, and rock and roll.

I would say that as I've gotten older, I trust my intuition more; I allow myself more freedom both musically, creatively and my own life existentially.

When I'm meditating on an idea, I try to let the idea completely saturate me to the point where I feel like I'm covering myself in it or totally immersing myself in it, so that everywhere I'm looking, everywhere I'm going, it's through the lens of that idea. And that's sort of what I do with the music - I try to lose myself in it.

I do what I love, thank God. I get to make music and get inspiration through Judaism. I can see why people might be surprised, because it's not been done before. It's certainly not typical. People are always trying to wrap head their around it. But it's probably simpler than everyone thinks.

When people feel a certain religion claims to have all the answers, that's what turns them off.

My music is not really about one ideology. It's not about one truth.

With 'Light,' I collaborated with a lot of different producers and musicians I respected, and we all wrote and worked on material which I then took to an old-school producer, David Kahne, and we put it all together. The lyrics came first - they were written before the music.

When I became religious, it was full-force for me. And, through the lifestyle of being out on the road with non-Jewish musicians, in non-Jewish nightclubs and going all over the world - getting out of the shtetl - opened me up to having experiences that other religious men might not have to think or worry about.

It was a really strange way that I came into music. Once I gave voice to it, the pit of emotions that I guess I knew was inside of me for a long time, the stream never really stopped.

When I'm onstage, I'm not thinking about ideas. I'm not in my head at all. It's a more physical experience.

Judaism is my life. Everything I do is through the lens of Torah.

I feel there's a lot of anti-Israel sentiment in the world and a lot of ignorance about what Israel is and does. But it's not for me to speak on Israel's behalf.

Reggae music isn't Jewish, but a lot of the ideas are.

Some artists are bound to an image: Bob Marley has dreadlocks, Matisyahu has a beard. But that's a reminder that the whole thing is not about style. It's about music.

When I was 17, I listened to reggae music. I loved Bob Marley. I started growing dreadlocks. It's always been my way, that the outside matches what's going on with me inside.

I always knew I was different and that people had opinions about me. I guess I learned as best as I can to shield out a lot and live my life from within.

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