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There was a time when I was fighting with the decision as to whether or not a Hasidic man could go out and have a music career in the world and be involved in pop culture. For me, I was able to bring those two things together for quite some time.

I was into acting as a kid. There was a time when I was 18 that I played the boy in a production of 'Equus' in Oregon, and I thought that was going to be my life.

I'm not an expert in instruments, beat programming, or electronics. For some people it's all about doing it themselves. But for me, it's all about find the people that can help make my vision come true.

For me, it's always this constant battle and search when I'm out on stage as to where and when do I really open myself up to the people that are there. How do I let myself feel present in the space, and how do I allow myself to get into the music and interact with the band members.

There are so many rules in Judaism, and if you get into them and you get obsessed and you have the kind of life that I have, it can make you a very unhappy person. It can make everything complicated and more stressful than it needs to be, so I kind of loosened the knots a little bit.

My life is not separate from my music, you know? It's not like a day job that I leave and go home. It's who I am as a person and how I am trying to grow, come closer to God, be a better person.

One of the first places where I started to respond to song lyrics was in reggae music. A lot of what I was responding to were references to the Old Testament. It was not that I had to adapt the lyrics to the sound. Reggae and the Old Testament are bound up together. There wasn't anything that I had to do.

I grew up pretty secular. I went to public school, and all the Jews that I knew, none of them were religious. While probably half of my friends were Jewish, they were all secular Jews. We went to Hebrew school, we knew we were Jewish, but it wasn't a major part of our existence.

Vocal rest is awesome. It is like any kind of fast. Firstly, it is a purification of speech. It made me realize how not careful I am with the things I say. It also makes you find new ways of communication and new methods to connect with people.

I started out in the Chabad movement, and I started pretty closed up, with the idea of there being that 'this is it.' I bought into that fully. I really explored in depth the Chabad ideology.

The No. 1 best-selling Christmas album of all time is from Kenneth Bruce Gorelick, the Jewish smooth-jazz legend Kenny G. American Jews have always produced a lot of holiday music, just not Hanukkah music.

Is it possible Hanukkah doesn't inspire folksy songs? Plot lines may be a part. The Christmas story has a lot of material to work with. There's Jesus and his birth, the wise men, their gifts and tons of frankincense.

I did some acting in college. But then everything stopped when I was a junior, in the fall of 2001, when I started becoming religious. Once I became a full-on Hasidic, I stopped everything. I stopped music. I stopped acting.

I get on a real serious health kick when I'm on the road, because as a singer, you can't really get sick. If you get sick, your whole instrument stops working. I've done all these different vitamin drinks. I drink coconut water, and I run. I eat food. I juice.

When a person listens to a good song, and they can look out at the world and their lives and see the dark and the light, the negative and the positive, all the different elements, all come together in one holistic poem, that is a very healing and very reductive thing, and that's what my music is about.

My mother's sister married a man from Barbados, and my cousins were raised in Barbados. So we traveled down there, they came up every summer for camp, and I started paying attention to their music. And that was the first place I ever remember hearing reggae and liking it.

I remember the moment when it hit me. I was walking down Amsterdam Avenue on the Upper West Side, and it felt like I was literally walking out of a jail cell that I had been in. At that moment, I realized I could shave if I wanted. It was up to me and no one else.

When I started wearing a yarmulke, I wanted to stand out or take the form of whatever was inspiring me. But now I think there's something to not working it, to keeping it on the inside, and it just being kind of like a secret.

Music is my first love and the thing that I feel extremely connected to. I feel like I still have a long way to go within that in terms of being able to perform and write songs. But, yeah, I really hope 'The Possession' opens doors for me to do more acting, because I really enjoyed it.

With music, you're working with a producer, and you walk out of the studio six hours later with a track that's almost completely finished. There's an almost immediate payoff.

When I first started reading about the kabbalists, I would hear about them being seen in strange places. It would turn out that they were doing some kind of spiritual work to elevate the sparks. In my life and career, I've had the opportunity to find myself where I could make some spiritual moves, to do some work that is spiritually important.

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