Explore Quotes by Matthew Gray Gubler

Tisch has a great film program and a great acting program, but they are segregated; you don't really intertwine. My peers knew I liked acting, so they'd be like, 'Go get that guy Gubler. He'll be in your student film.' I was in the same building. I became their go-to guy. So I left NYU having been in probably one thousand short films.

I really cite Walt Disney as teaching me everything I know. It sounds crazy, but I'm serious! In 'Bambi,' the mother dies, but you don't see the corpse. You see the father, the stag, come up and you see 'Bambi' alone, and that has so much more impact than seeing a mutilated deer.

It feels, to me, when you're with someone you really love, you never look at your phone.

My best advice to actors is if you love acting, do it every chance you get. Success does not mean success. All that matters is whether or not you're doing your best to entertain. The way this business works is all about luck and timing.

I thank every bully I ever had because that's the only reason I'm here. I learned how to not be affected by it and triumph over it, and that made me - again, if I had any success whatsoever, it's because these people made fun of me.

I'm as happy entertaining one person as I am entertaining a million people.

When I watch movies - when I watch 'Star Wars' - you want to watch the fun characters, the diversions.

My dream is just to make zero-budget movies for the rest of my life, because I love that environment.

I think the key to directing a great music video is in making sure the song is great, and if it is, then it becomes really fun.

I've had this unbelievable amount of good fortune and I'm just so thankful for it. But at the same time I feel exceptionally guilty. I have so many friends who are talented graduates of Juilliard and are exceptional actors and I'm the lucky one that somehow got such a fortunate break.

I think I veered towards filmmaking because there's more of a sense of control in it. You're not waiting to be picked. That said, in film school I acted in probably 6,000 student films because no other filmmakers knew anyone who wanted to act. It was all a big beautiful snake eating its tail, progressing along the way.

I remember a kid throwing an orange at the back of my head in Spanish class and calling me four-eyes, and I remember saying, I said, 'That's true, and I have two more eyes than you.' I felt like it was better. If I have four eyes, I'm twice as good as you.

I'm a control freak, and anytime I direct something, I try to make it as homemade and handmade as possible. I feel like that's my favorite type of filmmaking, where you can see the seams, and it doesn't feel like a swiftly produced, whole seeky-eyed event.

I've always been a fan of Andy Kaufman.

I am embarrassingly 1920s in style.

My parents instilled a very strong work ethic in me from a young age, fortunately.

I'm happy every day that I get up and I'm alive.

I get very little sleep. But I try to stay constantly busy. My fear is that if I stop working I'll, like, die. So throughout my life I've always tried to remain busy, and I sort of know no other way. I think if my heart rate slowed it would affect my constitution, strangely. I've been trained to do that.

If you're lucky enough to find a weird - never let them go.

I guess I'm just in the flow and riding the wave.

I've always had the utmost respect and awe of what the lens can do and what a director can do with just a camera move.