Michael Eric Dyson

Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.

Oprah Winfrey represents the most ingenious and creative expression of black spiritual genius in the public mainstream that we've had in quite a long time, if ever.

My ambition didn't grow out of nowhere. It was planted in me by a community that nurtured me.

When Dr. King was murdered, I had no idea who he was. But as soon as I heard his words on television that night when I was 9 years old, I was dumbstruck, awestruck by their power.

I grew up in Detroit. I was a teen father. I lived on welfare for three years. I have a brother serving life in prison, though I believe he's innocent.

George Bush ran a campaign where he bragged about being an anti-intellectual, dismissing his Harvard and Yale pedigree, pretending he was an American every day, ordinary everyman, and as a result of that, played up his fumbling speech because it signified that he was a good guy. That is deeply and profoundly anti-intellectual.

Charity is no substitute for justice. If we never challenge a social order that allows some to accumulate wealth--even if they decide to help the less fortunate--while others are short-changed, then even acts of kindness end up supporting unjust arrangements. We must never ignore the injustices that make charity necessary, or the inequalities that make it possible.

Comedy is to force us to observe ourselves in ways that are humorous and yet, at the end of the day, that cause us enough discomfort with the status quo to make a change.

I went to a segregated school; I was born a Negro, not a black man.

Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.

There's no question that O.J. Simpson had been a substitute white man in America. He had gained honorary white status. He was not viewed by many white Americans as black. He was not seen as the African American athlete who was rebellious: Jim Brown, Muhammad Ali, Hank Aaron... He was accepted in golf clubs that were very tony.

When you look at a guy like a Jay-Z or look at a guy like a Nas, you don't necessarily qualify them as conscious rap purely, although they are extremely conscious of the social inequities that prevail.

There are huge divorces and divides and chasms in black America between the have-gots and the have-nots, between the monied and the poor, between the educated and the non-educated. And there are huge and growing chasms daily. And I want to say that it's not simply about generation. It's about genre.

New Orleans invented the brown paper bag party - usually at a gathering in a home - where anyone darker than the bag attached to the door was denied entrance. The brown bag criterion survives as a metaphor for how the black cultural elite quite literally establishes caste along color lines within black life.

I have no interest in romanticizing poor black people, having been one of them myself in our beloved hometown of Detroit.

I don't believe in that kind of American John Wayne individualism where people pull themselves up by their bootstraps. Someone changed your diapers. And if that's the case, you ain't self-made.

Obviously, Jay-Z is one of the greatest entertainers of the world today. Not only is he a remarkable rhetorical genius, he's also a man of deep sympathy and empathy for those who are lost and vulnerable, but especially under-educated youth of all cultures and stripes.

I suppose that I inherited the same vocabulary and world view as most black Christians do, most Christians in general, to be sure. It was heterosexist in the sense that it took the heterosexual orientation as the norm from which to start as the given. And everything that fell outside of that was not acceptable.

The methodologies of examining hip hop are borrowed from sociology, politics, religion, economics, urban studies, journalism, communications theory, American studies, transatlantic studies, black studies, history, musicology, comparative literature, English, linguistics, and other disciplines.

Michael Jackson carried urban America and eventually American society on his vocal cords for a good 25 to 30 years before even hip-hop became the vox populi of America, and then as an adult he shattered racial barriers.

Race was thick in the O.J. Simpson case from the very beginning, but it wasn't evident. And I think the O.J. Simpson case revealed that there is subtle race, and there is sophisticated race, and there's evident and observable race.