Roger Waters

And if your head explodes with dark forebodings too _x000D_ I'll see you on the dark side of the moon.

When we grew up and went to school_x000D_ There were certain teachers who would_x000D_ Hurt the children any way they could_x000D_ By pouring their derision_x000D_ Upon anything we did_x000D_ Exposing every weakness_x000D_ However carefully hidden by the kids.

That one record changed everything for me. After Sgt. Pepper, it's the most influential record in the history of rock and roll. It affected Pink Floyd deeply, deeply, deeply. Philosophically, other albums may have been more important, like Lennon's first solo album. But sonically, the way the record's constructed, I think Music from Big Pink is fundamental to everything that happened after it.

You run and you run to catch up to the sun but it's sinking, racing around to come up behind you again.

I've only ever written about one thing in my life, which is the fact that we, as human beings, have a responsibility to one another and that it's important that we empathize with others, that we organize society so that we all become happier and we all get the life we really want.

I was faced with a choice: to deny my addiction and embrace that 'comfortably numb' but 'magicless' existence, or accept the burden of insight, take the road less travelled, and embark on the often painful journey to discover who I was and where I fit.

What it comes down to for me is this: Will the technologies of communication in our culture, serve to enlighten us and help us to understand one another better, or will they deceive us and keep us apart?

We live in very volatile times. And it is super necessary that all of us resist this move toward the militarization and establishment of a more and more authoritarian regime, not just in the United States but in Europe and elsewhere.

To some extent, 'The Wall' is asking the question, 'Do you want a voice? And if you do, you better bloody well go out and get it because it's not going to be handed to you on a plate.'

Not the torturer will scare me, nor the body's final fall, nor the barrels of death's rifles, nor the shadows on the wall, nor the night when to the ground the last dim star of pain, is hurled but the blind indifference of a merciless, unfeeling world.

Almost everybody thinks that the fight is about ideology. Everybody will tell you, 'Well, the fighting is all about the Middle East.' 'Well, it's about Muslims starting jihad.' 'It's about terrorism.' 'It's about this or that.' And no, it's not. It's about money.

That's why I call the show 'Us & Them,' because I believe there is no 'them.' There's only 'us.'

War is hugely profitable. It creates so much money because it's so easy to spend money very fast. There are huge fortunes to be made. So there is always an encouragement to promote war and keep it going, to make sure that we identify people who are 'others' whom we can legitimately make war upon.

All in all you're just another brick in the wall

You take the risk of being rejected. If you have pretentions to be an artist of any kind, you have to take the risk of people rejecting you and thinking you're an arsehole.

Did you see the frightened ones, Did you hear the falling bombs, Did you ever wonder why we had to run for shelter in the promise of a brave new world unfurlled beaneath the clear blue skies. Good bye blue skies.