And if your head explodes with dark forebodings too _x000D_ I'll see you on the dark side of the moon.
Roger WatersRead
That one record changed everything for me. After Sgt. Pepper, it's the most influential record in the history of rock and roll. It affected Pink Floyd deeply, deeply, deeply. Philosophically, other albums may have been more important, like Lennon's first solo album. But sonically, the way the record's constructed, I think Music from Big Pink is fundamental to everything that happened after it.
Interpretation
The quote expresses the profound impact of the album 'Music from Big Pink' on the music industry and on Roger Waters personally.
Roger Waters reflects on the transformative influence of 'Music from Big Pink' in the context of rock and roll history. He acknowledges that while other albums may hold philosophical significance, the sonic innovations presented in this particular record were revolutionary and foundational, shaping the direction of future music and deeply affecting his own artistic journey with Pink Floyd.
In practice
In a speech about the evolution of rock music, one might reference this quote to highlight the importance of groundbreaking albums.
And if your head explodes with dark forebodings too _x000D_ I'll see you on the dark side of the moon.
When we grew up and went to school_x000D_ There were certain teachers who would_x000D_ Hurt the children any way they could_x000D_ By pouring their derision_x000D_ Upon anything we did_x000D_ Exposing every weakness_x000D_ However carefully hidden by the kids.
You run and you run to catch up to the sun but it's sinking, racing around to come up behind you again.
I've only ever written about one thing in my life, which is the fact that we, as human beings, have a responsibility to one another and that it's important that we empathize with others, that we organize society so that we all become happier and we all get the life we really want.
I was faced with a choice: to deny my addiction and embrace that 'comfortably numb' but 'magicless' existence, or accept the burden of insight, take the road less travelled, and embark on the often painful journey to discover who I was and where I fit.
What it comes down to for me is this: Will the technologies of communication in our culture, serve to enlighten us and help us to understand one another better, or will they deceive us and keep us apart?
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
When I saw Jimi Hendrix I knew immediately that this guy was the real thing ... and when he played it was like a rough sketch of what he was going to become ... this guy was our generation, and he wasn't in a suit .. he played a Howlin' Wolf song 'Killing Floor', and then we (The Cream) had to carry on the set. It was pretty hard to follow.
It (jazz) isn't like it used to be. The guys aren't together. They're all separated. Individuals now. Bird was a symbol. It was a clique, a clique of people. Who all believed in one thing: gettin' high. And playin'.
All the sounds of the earth are like music.
I can't really say enough about Chris Potter. He is one of the greatest musicians I have ever known, and every second I have been on the band stand with him has been an absolute pleasure.
I've always been obsessed with drums. They fascinate me. Any other instrument - nothing. I play acoustic guitar a bit. But it's always been drums first and foremost. I don't reckon on this Jack-of-all-trades thing. I thing that felling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts.
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