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This was something that was obsessing me and creating a writer's block. To get involved and get stuck in, get the proper information about what's going on has really helped.

We toyed with the idea of making it a double album, but I think that would only have confused everybody even more, so we decided to stick with the songs we picked.

I don't see it in terms of changing things, but rather using language and music as weapons for fighting a mainstream media which is predominately right wing, and loyal to the political framework and its corporate interests.

I went to a boys' school, and I didn't realize that most guys join bands because they wanted to get girls. I was not really focused on that the way everybody else was.

We don't have to stand on a soap-box and preach because hopefully we're channelling it through the new record.

If we got into a situation where people start burning our records, then bring it on. That's the whole point. The gloaming has begun. We're in the darkness. This has happened before. Go read some history.

I feel like, as musicians, we need to fight the Spotify thing. I feel that in some ways what's happening in the mainstream is the last gasp of the old industry. Once that does finally die, which it will, something else will happen.

I'm not afraid of computers taking over the world.

It is difficult to make political art work.

I had a series of mini-breakdowns where the public persona - this thing, this face, this person who writes this music... I would walk past that person in the mirror or listen to that person playing guitar and I didn't know who they were.

Music is more difficult - try naming a political band. The Dead Kennedys. The Dead Kennedys are political, but they are more funny than they are political.

You think I have the responsibilty... I have the responsibility to give the fans a good time!

People in bands don't have the kind of conversations people might think they have. The best things about being in a band are the things that are unsaid.

I think artists can influence only through making music that challenges people, excites them and flips them out. Music that repeats what you know in ever-decreasing derivation, that's unchallenging and unstimulating, deadens our minds, our imagination and our ability to see beyond the hell we find ourselves in.

Well, I've been reading a lot about the fifty years since the Second World War, about Western foreign policy and all that. I try not to let it get to me, but sometimes I just think that there's no hope.

Well, my son really loves wildlife. And everytime he draws a polar bear I want to tell him there probably won't any by the time... he's my age. That's kinda hard to deal with.

Coming from Britain, I was terrified of meeting all these other artists, because artists over there tend to fight with each other a lot, the premise being that there's not enough room for everybody.

I think a lot of tunes can suffer from being so simple, so either they get over-complicated or their simplicity means the simple way to lay them down becomes the difficulty.

My dad spent his whole life getting into fights for telling what he believed to be the truth. Basically it comes from my dad-and he's screaming right-wing, so there you are.

We didn't start out to make a protest record at all. That would have been too shallow. As usual, it was simply a case of absorbing what's going on around us.

I think no artist can claim to have any access to the truth, or an authentic version of an event. But obviously they have slightly better means at their disposal because they have their art to energize whatever it is they're trying to write about. They have music.

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