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I wrote a lot of stuff quickly: pages and pages of notes that seemed pretty incoherent at first. Most of it was taken from the radio because -suddenly being a parent- I'd be confronted by the radio giving a news report every hour of the day.

Generally speaking, if people are prepared to stick their heads above the power pit, like Zinn says, and absorb what's going on around them, it makes them think.

My argument would be that I don't think there is much that's genuinely political art that is good art.

I think we're entering a very dangerous time. The West has set itself up, decided it's in charge, not for good intentions, not for the benefit of mankind.

At home I've got a very puerile, juvenile sense of humour.

I think maybe since there isn't a great deal of access to the mainstream media and people don't understand the language of mainstream media, if you put music out there with lyrics that are loosely political, people absorb some of it and spit it back out.

I grew up under Thatcher. I grew up believing that I was fundamentally powerless. Then gradually over the years it occurred to me that this was actually a very convenient myth for the state.

I've never believed that pop music is escapist trash. There's always a darkness in it, even amidst great pop music.

One of the interesting things here is that the people who should be shaping the future are politicians. But the political framework itself is so dead and closed that people look to other sources, like artists, because art and music allow people a certain freedom.

The people in charge, globally, are maniacs. They are maniacs, and unless we do something about it these people are going to deprive us of a future.

And I know I'm paranoid and neurotic, I've made a career out of it.

Sometimes the nicest thing to do with a guitar is just look at it.

I grew up believing that I was fundamentally powerless.

I think the most important thing about music is the sense of escape.

My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.

So ultimately, it's idealistic to think that artists are able to step away from the power of the media and the way it controls things, and go on doing their own things.

I can be very drunk in a club in Oxford on a Monday night and some guy comes up to you and buys you a drink and says that the last record you made changed his life. That means something.

Someone needs to tell the truth, but it shouldn't be my job.

If you want to be entertained, go and see Hanson.

I can't wait to die so I can be a skeleton and play my chest like a xylophone.

There's a pervading sense of loneliness I've had since the day I was born. Maybe a lot of other people feel the same way, but I'm not about to run up and down the street asking everybody if they're as lonely as I am. I'd probably get locked up.

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