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I've always been on a personal mission to save the guitar.
America touts itself as the land of the free, but the number one freedom that you and I have is the freedom to enter into a subservient role in the workplace. Once you exercise this freedom you’ve lost all control over what you do, what is produced, and how it is produced. And in the end, the product doesn’t belong to you. The only way you can avoid bosses and jobs is if you don’t care about making a living. Which leads to the second freedom: the freedom to starve.
A good song should make you wanna tap your foot and get with your girl. A great song should destroy cops and set fire to the suburbs. I'm only interested in writing great songs.
For the millennium [New Year's Eve], you really have a choice to make. You either have to be naked with your head on fire and a shotgun in Bali or else you have to spend time with friends or family around the fireplace. And I'm choosing option B
Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.
The real estate agent had to go door-to-door in the apartment building we wanted to rent, asking if it was OK for this interracial family - my mom is white and I was a 1-year-old half-African kid - to live in the apartment building.
The way corporate media likes to portray America is as a homogenous whole that high-five's each other at the Super Bowl. But what we have is a grotesque disparity between the rich and poor that is only getting wider.
You can kiss my Kiss-loving ass because Kiss was never a critic's band. It was a people's band.
Tonight, it's the rock and roll all night and party every day hall of fame.
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