When I was 10, my parents really valued success in the arts, and I thought if I was a famous 'something artistic,' that they would love me more.
Interpretation
The quote reflects a child's desire for parental approval through artistic success.
In this quote, Sia expresses the childhood belief that achieving success in art would lead to greater affection from her parents. It highlights the universal struggle for approval and recognition from loved ones, especially during formative years, and raises questions about the connections between success, identity, and self-worth in the context of familial relationships.
In practice
This quote could be used in a speech about the pressures of youth in pursuing artistic careers.
I don't go to shows because I just want to listen to the music performed live. I want to get to know the person who's performing it. Or I want to, like, take away a sense that I had an experience that nobody else is going to have again, or a unique experience for that moment.
I don't care what people think of me, unless they think I'm mean or something, but I don't care if they think I'm like someone else because I know I'm not - I'm a total weirdo. I'm not selling a dream; I'm not selling fame like it is some sort of fantastic thing. I'm just trying to sell music and get on with my real life.
My goal is to give girls and boys a different idea of expression. It's not always about looking pretty or cute. It's about expressing yourself however that may be, even if that's being silly or goofy or weird.
In this way, writers are indeed, as Henry Miller suggested, traitors to the human race. We may turn a light on inequity, injustice, and oppression from time to time, but we regularly kill what we love in insidious fashion.
Rest assured, as long as I am alive any book purporting to be with my cooperation is a falsehood.
When you try to unravel something you've written, you belittle it in a way. It was created as a mystery.
I search for different tonalities in my taps. But my greatest pleasure is hearing a note I haven't heard before, hearing a chord that sparks something new.
Rob [Tapert], myself and Bruce Campbell sat in hundreds of drive-insnot hundreds, but tens of drive-ins, watching these movies and learning how they were made, and we started to make our own in Super 8. And thatβs really how we got into horror films. After a while we learned to really like them, and the craft that went into them.
I want to reach as many people as possible with the message of music, of wonderful opera.
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