When I was 10, my parents really valued success in the arts, and I thought if I was a famous 'something artistic,' that they would love me more.
Interpretation
The quote reflects a child's desire for parental approval through artistic success.
In this quote, Sia expresses the childhood belief that achieving success in art would lead to greater affection from her parents. It highlights the universal struggle for approval and recognition from loved ones, especially during formative years, and raises questions about the connections between success, identity, and self-worth in the context of familial relationships.
In practice
This quote could be used in a speech about the pressures of youth in pursuing artistic careers.
I don't go to shows because I just want to listen to the music performed live. I want to get to know the person who's performing it. Or I want to, like, take away a sense that I had an experience that nobody else is going to have again, or a unique experience for that moment.
I don't care what people think of me, unless they think I'm mean or something, but I don't care if they think I'm like someone else because I know I'm not - I'm a total weirdo. I'm not selling a dream; I'm not selling fame like it is some sort of fantastic thing. I'm just trying to sell music and get on with my real life.
My goal is to give girls and boys a different idea of expression. It's not always about looking pretty or cute. It's about expressing yourself however that may be, even if that's being silly or goofy or weird.
I have discovered photography. Now I can kill myself. I have nothing else to learn.
For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
Nothing is lost and nothing is created in the operations of art as those of nature.
The painter makes real to others his innermost feelings about all that he cares for. A secret becomes known to everyone who views the picture through the intensity with which it is felt.
I try to improvise like Les Young, Louis Armstrong or someone else I admire. What comes out is what I feel.
The defect in wisdom and taste which exists among the majority of dancers is due to the bad education which they generally receive. They apply themselves only to the material side of their art, they learn to jump more or less high, they strive mechanically to execute a number of steps, and like children, who utter a great many words devoid of sense and relation, they execute many phrases of steps devoid of taste and grace.
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