I don't go to shows because I just want to listen to the music performed live. I want to get to know the person who's performing it. Or I want to, like, take away a sense that I had an experience that nobody else is going to have again, or a unique experience for that moment.
Interpretation
The quote emphasizes the desire for personal connection and unique experiences beyond just enjoying music.
In this quote, Sia expresses that attending a live performance is not merely about the music; it is about connecting with the artist and capturing a singular experience that feels personal and exclusive. This perspective highlights the importance of emotional engagement and the significance of shared moments in the realm of artistic expression.
In practice
This quote can be used in a speech about the impact of live performances on audiences.
I don't care what people think of me, unless they think I'm mean or something, but I don't care if they think I'm like someone else because I know I'm not - I'm a total weirdo. I'm not selling a dream; I'm not selling fame like it is some sort of fantastic thing. I'm just trying to sell music and get on with my real life.
When I was 10, my parents really valued success in the arts, and I thought if I was a famous 'something artistic,' that they would love me more.
My goal is to give girls and boys a different idea of expression. It's not always about looking pretty or cute. It's about expressing yourself however that may be, even if that's being silly or goofy or weird.
I don't write for children. I write and someone says it's for children.
If a story doesn't give you a hard-on in the first couple of scenes, throw it in the goddamned garbage.
As it grows ever more complicated today, musical art seeks out combinations more dissonant, stranger, and harsher for the ear. Thus, it comes ever closer to the noise-sound.
And I was afraid. She frightens me because she can knock me down with a word. Because she does not know that writing is walking on a dizzying silence setting one word after the other on emptiness. Writing is miraculous and terrifying like the flight of a bird who has no wings but flings itself out and only gets wings by flying.
At one point, I didn't care. Now I want as many people to hear my music as possible.
I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
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