The thing a drama school can't give you is instinct. It can sharpen instinct but that can't be taught, and you have to have intuition. It's an essential ingredient.
Gary OldmanRead
I drank for about 25 years getting over the loss of my father and I took the anger out on myself. I did a good job at beating myself up at sometimes. I don't drink anymore but my alcoholic head occasionally says different. 'Nil By Mouth' was a love letter to my father because I needed to resolve some issues in order to be able to forgive him.
Interpretation
The quote reflects on personal struggles with grief and the journey towards forgiveness and healing.
Gary Oldman shares his experience of grappling with the loss of his father and how it led him to self-destructive behavior through alcohol. His acknowledgment of the pain he endured and the subsequent creation of 'Nil By Mouth' signifies a personal resolution, highlighting the intersection of grief, forgiveness, and the complexities of familial relationships.
In practice
In a speech about overcoming personal struggles, this quote can illustrate the process of healing through art.
The thing a drama school can't give you is instinct. It can sharpen instinct but that can't be taught, and you have to have intuition. It's an essential ingredient.
There's no handbook for parenting. So you walk a very fine line as a parent because you are civilizing these raw things. They will tip the coffee over and finger-paint on the table. At some point, you have to say, 'We're gonna have to clean that up because you don't paint with coffee on a table.'
I wanted to play Dracula because I wanted to say: 'I've crossed oceans of time to find you.' It was worth playing the role just to say that line.
Change is vital to any actor. If you keep playing lead after lead, you're really gonna dry up. Because all those vehicles wean you away from the truths of human behaviour.
Getting sober was one of the three pivotal events in my life, along with becoming an actor and having a child. Of the three, finding my sobriety was the hardest thing.
In the sudden absence of husbands, fathers, brothers and beaus, white Southern women discovered a newfound freedom - one that simultaneously granted them more power in relationships and increased their likelihood of heartbreak.
Marriage fascinates me: how we negotiate its span, how we change within it, how it changes itself, and why some relationships survive and others do not. There isn't a single marriage that couldn't provide enough narrative arc for a novel.
In our parts such characters sometimes turn up that, however many years ago you met them, you can never recall them without an inner trembling.
What does open us is sharing our vulnerabilities. Sometimes we see a couple who has done this difficult work over a lifetime. In the process, they have grown old together. We can sense the enormous comfort, the shared quality of ease between these people. It is beautiful, and very rare. Without this quality of openness and vulnerability, partners don't really know each other; they are one image living with another image.
Oh my God, sociability is just a big smile and a big smile is nothing but teeth, I wish I could just stay up here and rest and be kind." But somebody brought up some wine and that started me off.
It doesn't matter what the other is being, doing, having, saying, wanting, demanding. It doesn't matter what the other is thinking, expecting, planning. It only matters what you are being in relationship to that.
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