The experienced writer says to the anguished novice: 'Just do it; get something, anything, on to the screen or page, just establish a flow of words, and criticise them later.' You give this advice but can't always take it.
Hilary MantelRead
It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.
Interpretation
People are often more afraid of the unknown than the known, leading them to fill gaps with their fears and desires.
Hilary Mantel's quote highlights the human tendency to react to uncertainty with fear and imagination. When confronted with a lack of concrete information, individuals often project their anxieties and hopes into the void, creating narratives that reflect their inner turmoil rather than the objective reality. This suggests that knowledge and clarity can help mitigate fears, as people are often more troubled by ambiguity than by facts.
In practice
This quote is perfect for a discussion on public speaking, emphasizing the importance of clarity over ambiguity.
The experienced writer says to the anguished novice: 'Just do it; get something, anything, on to the screen or page, just establish a flow of words, and criticise them later.' You give this advice but can't always take it.
History is always changing behind us, and the past changes a little every time we retell it.
Why are we so attached to the severities of the past? Why are we so proud of having endured our fathers and our mothers, the fireless days and the meatless days, the cold winters and the sharp tongues? It's not as if we had a choice.
He is careful to deny responsibility for September, but he does not, you notice, condemn the killings. He also refrains from killing words, sparing Roland and Buzot, as if they were beneath his notice. August 10 was illegal, he says; so too was the taking of the Bastille. What account can we take of that, in revolution? It is the nature of revolutions to break laws. We are not justices of the peace; we are legislators to a new world.
History offers us vicarious experience. It allows the youngest student to possess the ground equally with his elders; without a knowledge of history to give him a context for present events, he is at the mercy of every social misdiagnosis handed to him.
You can control and censor a child's reading, but you can't control her interpretations; no one can guess how a message that to adults seems banal or ridiculous or outmoded will alter itself and evolve inside the darkness of a child's heart.
In a consumer society there are inevitably two kinds of slaves: the prisoners of addiction and the prisoners of envy.
All rulers in all ages have tried to impose a false view of the world upon their followers.
What is the fatal charm of Italy? What do we find there that can be found nowhere else? I believe it is a certain permission to be human, which other places, other countries, lost long ago.
The guarantee that our self enjoys an intended relation to the outer world is most, if not all, we ask from religion. God is the self projected onto reality by our natural and necessary optimism. He is the not-me personified.
Let your enemies be disarmed by the gentleness of your manner, but let them feel at the same time the steadiness of your just resentment for there is a great difference between bearing malice, which is always ungenerous, and a resolute self-defense which is ever prudent and justifiable.
My dear, I used to think I was serving humanity . . . and I pleasured in the thought. Then I discovered that humanity does not want to be served; on the contrary it resents any attempt to serve it. So now I do what pleases myself.
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