History is always changing behind us, and the past changes a little every time we retell it.
The experienced writer says to the anguished novice: 'Just do it; get something, anything, on to the screen or page, just establish a flow of words, and criticise them later.' You give this advice but can't always take it.
Interpretation
What this quote means
This quote encourages writers to start creating without fear of criticism, emphasizing the importance of flow over perfection.
Hilary Mantel's quote highlights the inevitable struggle between creation and self-criticism that many writers face. By advising the novice to prioritize getting words down on the page, she underscores the importance of allowing creativity to flow freely and not being paralyzed by the fear of judgment. This perspective can liberate writers from the constraints of perfectionism, suggesting that producing content is a necessary step before refining and critiquing it.
Themes
In practice
Example use cases
In a writing workshop, to encourage participants to start their projects.
More from Hilary Mantel
All quotes →Why are we so attached to the severities of the past? Why are we so proud of having endured our fathers and our mothers, the fireless days and the meatless days, the cold winters and the sharp tongues? It's not as if we had a choice.
He is careful to deny responsibility for September, but he does not, you notice, condemn the killings. He also refrains from killing words, sparing Roland and Buzot, as if they were beneath his notice. August 10 was illegal, he says; so too was the taking of the Bastille. What account can we take of that, in revolution? It is the nature of revolutions to break laws. We are not justices of the peace; we are legislators to a new world.
It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.
History offers us vicarious experience. It allows the youngest student to possess the ground equally with his elders; without a knowledge of history to give him a context for present events, he is at the mercy of every social misdiagnosis handed to him.
You can control and censor a child's reading, but you can't control her interpretations; no one can guess how a message that to adults seems banal or ridiculous or outmoded will alter itself and evolve inside the darkness of a child's heart.
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The greatest genius will not be worth much if he pretends to draw exclusively from his own resources
The man who can dominate a London dinner-table can dominate the world.
The whole thing resolves itself into our mental ability to control our thought. The man who can do this can have what he wants, can do what he wishes and becomes what he wills.
There is nothing stronger than gentleness.
Oh, he was just angry, we tell ourselves when someone blurts out something he later apologizes for. But a word, once spoken, lingers forever; to keep peace we pretend to forget, but we never do. Strange that a spoken word can have such lasting power when words carved on stone monuments vanish in spite of all our efforts to preserve them. What we would lose persists, lodged in our minds, and what we would keep is lost to water, moths, moss.
In Japan we have the phrase, "Shoshin," which means "beginner's mind." Our "original mind" includes everything within itself. It is always rich and sufficient within itself. This does not mean a closed mind, but actually an empty mind and a ready mind. If your mind is empty, it is always ready for anything. It is open to everything. In the beginner's mind there are many possibilities; in the expert's mind there are few.