It's absolutely fantastic. When I was a kid, my father was always trying to tell me how to be a man, and he said to me, I was maybe 9, and he said to me, 'Philip, whenever you take a nap, take your clothes off, put a blanket on you, and you're going to sleep better.' Well, as with everything, he was right. ... Then the best part of it is that when you wake up, for the first 15 seconds, you have no idea where you are. You're just alive. That's all you know. And it's bliss, it's absolute bliss.
Interpretation
The quote captures the joy and simplicity of being present in the moment, especially through the experience of waking up.
Philip Roth reflects on a lesson from his father that goes beyond the practical advice about taking a nap. He emphasizes the joy of awakening, which brings a sense of bliss and the pure, carefree experience of simply being alive, free from the complexities of life, if only for a brief moment. It highlights the importance of embracing the small moments of happiness and the innocence of childhood.
In practice
This quote can be shared during a motivational speech about finding joy in everyday moments.
American society [...] not only sanctions gross and unfair relations among men, but it encourages them. Now, can that be denied? No. Rivalry, competition, envy, jealousy, all that is malignant in human character is nourished by the system. Possession, money, property--on such corrupt standards as these do you people measure happiness and success.
I have a slogan I use when I get anxious writing, which happens quite a bit: ‘the ordeal is part of the commitment.’ It’s one of my mantras. It makes a lot of things doable.
Everybody who flashed the signs of loyalty he took to be loyal. Everybody who flashed the signs of intelligence he took to be intelligent. And so he had failed to see into his daughter, failed to see into his wife, failed to see into his one and only mistress—probably had never even begun to see into himself
When you publish a book, it's the world's book. The world edits it.
It isn't that you subordinate your ideas to the force of the facts in autobiography but that you construct a sequence of stories to bind up the facts with a persuasive hypothesis that unravels your history's meaning.
That's what you're looking for as a writer when you're working. You're looking for your own freedom. To lose your inhibition to delve deep into your memory and experiences and life and then to find the prose that will persuade the reader.
...as it turned out, growing up was just as she'd feared. One day when your alarm clock rang, you got up and realized you had someone else's thoughts in your head... or may be just your old ones, minus the hope.
It would help not to treat age as if it were any less of a pleasure than it was when we were six and saying, 'I'm six and a half.' You know, we could be saying, 'I'm fifty and a half' and say it with joy. Each age is different and has different discoveries and pleasures.
Of all the adventures and challenges that wait on the vagabonding road, the most difficult can be the act of coming home.
We plan, we toil, we suffer - in the hope of what? A camel-load of idol's eyes? The title deeds of Radio City? The empire of Asia? A trip to the moon? No, no, no, no. Simply to wake just in time to smell coffee and bacon and eggs.
I came from a childhood where I spent a lot of time alone and a lot of time just living with my imagination, and a certain amount of the adult world was kind of alienating.
Childhood is the kingdom where nobody dies. Nobody that matters, that is.
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