Tomorrow is the most important thing in life. Comes into us at midnight very clean. It's perfect when it arrives and it puts itself in our hands. It hopes we've learned something from yesterday.
John WayneRead
In my acting, I have to identify with something in the character. The big tough boy on the side of right - that's me. Simple themes. Same me from the nuances. All I do is sell sincerity and I've been selling the hell out of that ever since I started.
Interpretation
John Wayne emphasizes the importance of authenticity and personal connection in acting.
In this quote, John Wayne articulates the artist's need to connect personally with their characters in order to portray them authentically. He suggests that his strength lies in his ability to tap into the essence of the characters he plays, maintaining a sense of sincerity and straightforwardness while performing. By conveying simple themes and embodying a clear moral stance, he believes he can effectively communicate authenticity to his audience.
In practice
An actor might use this quote during a workshop to discuss the importance of preparing for a role.
Tomorrow is the most important thing in life. Comes into us at midnight very clean. It's perfect when it arrives and it puts itself in our hands. It hopes we've learned something from yesterday.
I've always followed my father's advice: he told me, first to always keep my word and, second, to never insult anybody unintentionally. If I insult you, you can be goddamn sure I intend to. And, third, he told me not to go around looking for trouble.
Talk low, talk slow and don't say too much.
Republic. I like the sound of the word. It means people can live free, talk free, go or come, buy or sell, be drunk or sober, however they choose. Some words give you a feeling.
I'm not the sort to back away from a fight. I don't believe in shrinking from anything. It's not my speed; I'm a guy who meets adversities head on.
Give the American people a good cause, and there's nothing they can't lick.
At first, I found the music I was making really hard to find a home for. I felt like my attitude was really British, but not the actual sounds I was making. Back in 2003, when I made 'Galang,' there were no clubs that had an 'anything and everything' attitude.
I think what really stays with me is the idea that you can write music about the texture of a wall, and everything is in some way connected.
An artist is a man who says a difficult thing in a simple way
Our utilitarian structures will mature into architecture only when, through their fulfillment of function, they become carriers of the will of the age.
Weirdly enough, if I'm having trouble with a guitar part - not the playing of it but the writing - I'll mess around with echo and other effects, just turn everything up and make it as crazy as can be, and it winds up taking me somewhere. I've found so many guitar parts from echo. It's limitless.
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
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