I want to be there for all those who are left behind in this world, whether it's because they are born poor, born a woman, or born in an area affected by devastation.
Michelle YeohRead
As an actor, you are always looking for roles that will challenge you, and when I came upon Aung San Suu Kyi, it wasn't just about that but also about stepping into the shoes of someone who means so much to millions of people.
Interpretation
An actor seeks challenging roles that resonate with the audience and hold significance.
In this quote, Michelle Yeoh expresses the dual aim of an actor: to find roles that push their artistic boundaries and to embody characters that have profound importance to a broader society. In her reflection, she highlights the responsibility and honor of portraying Aung San Suu Kyi, emphasizing the connection between artistic expression and the impact on people's lives.
In practice
In a speech about the power of storytelling in acting.
I want to be there for all those who are left behind in this world, whether it's because they are born poor, born a woman, or born in an area affected by devastation.
I have very supportive parents who said, 'Go and do what you want to do. Home is always here for you, and if you don't like it out there, come back. You can always do something different.' So when you have an option like that, you are able to choose roles or choose the things you want to be in.
I'm not a fashion victim, and I don't closely follow trends. I dress the way I feel comfortable because, at the end of the day, you have to be comfortable.
For me, beauty comes from natural happiness. I think that a woman glows, and a man, even, when they're healthy and they're happy.
Let's empower men and help them take a stand to stop acts of violence against women.
Wai Lin is the first Bond Girl who is on a par with Bond, someone who can match up with him mentally and physically. From the moment our characters see each other, there is a wariness and a recognition that this person is not who she or he seems to be.
My weakness has always been to prefer the large intention of an unskilful artist to the trivial intention of an accomplished one: in other words, I am more interested in the high ideas of a feeble executant than in the high execution of a feeble thinker.
People talk of beauty lightly, and having no feeling for words, they use that one carelessly, so that it loses its force; and the thing it stands for, sharing its name with a hundred trivial objects, is deprived of dignity. They call beautiful a dress, a dog, a sermon; and when they are face to face with Beauty cannot recognise it.
Creating is living doubly. The groping, anxious quest of a Proust, his meticulous collecting of flowers, of wallpapers, and of anxieties, signifies nothing else.
Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second, and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something, as in a dream.
The telling of stories, like singing and praying, would seem to be an almost ceremonial act, an ancient and necessary mode of speech that tends the earthly rootedness of human language. For narrated events always happen somewhere. And for an oral culture, that location is never merely incidental to those occurrences. The events belong, as it were, to the place, and to tell the story of those events is to let the place itself speak through the telling.
The Arts are man's most useless ... and essential ... activity.
Subscribe for the occasional hand-picked quote. No noise.