Everybody must be managed. Queens must be managed. Kings must be managed, for men want managing almost as much as women, and that's saying a good deal.
Thomas HardyRead
My weakness has always been to prefer the large intention of an unskilful artist to the trivial intention of an accomplished one: in other words, I am more interested in the high ideas of a feeble executant than in the high execution of a feeble thinker.
Interpretation
This quote expresses a preference for grand ideas over technical skill in art.
Thomas Hardy highlights the value of ambition and intent behind artistic expression, suggesting that the vision and ideas of a less skilled artist can resonate more deeply than the technical proficiency of a more accomplished artist. He seems to advocate for the importance of passion and creativity over refined execution, implying that the essence of art lies in its ideas rather than in its flawless execution.
In practice
An art critique discussing the merits of a newly discovered artist's work.
Everybody must be managed. Queens must be managed. Kings must be managed, for men want managing almost as much as women, and that's saying a good deal.
Because what's the use of learning that I am one of a long row only - finding out that there is set down in some old book somebody just like me, and to know that I shall only act her part; making me sad, that's all. The best is not to remember your nature and your past doings have been just like thousands' and thousands', and that your coming life and doings'll be like thousands' and thousands'.
But nothing is more insidious than the evolution of wishes from mere fancies, and of wants from mere wishes.
I wish I had never been born--there or anywhere else.
Her affection for him was now the breath and life of Tess's being; it enveloped her as a photosphere, irradiated her into forgetfulness of her past sorrows, keeping back the gloomy spectres that would persist in their attempts to touch her—doubt, fear, moodiness, care, shame. She knew that they were waiting like wolves just outside the circumscribing light, but she had long spells of power to keep them in hungry subjection there.
The trees have inquisitive eyes, haven't they? -that is, seem as if they had. And the river says,-'Why do ye trouble me with your looks?' And you seem to see numbers of to-morrows just all in a line, the first of them the biggest and clearest, the others getting smaller and smaller as they stand further away; but they all seem very fierce and cruel and as if they said, 'I'm coming! Beware of me! Beware of me!
Little events, ordinary things, smashed and reconstituted. Suddenly, they become the bleached bones of a story.
What acting means is that you've got to get out of your own skin.
Creativity is an act of defiance.
In the ballet studio, it was such an organized and disciplined environment, like I'd never had in my life. Seeing myself in the mirror, surrounded by the classical music, that's when I started to fall in love with dance.
In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.
The ideas of the great playwrights are almost always larger than the experiences of even the best actors.
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