When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that. So the director's task is just that – to direct, to point the way. Then the actor takes over. And he must be allowed the space, the freedom to express himself in the role. Without that space, an actor is no more than an unthinking robot with a chest-full of push-buttons.
Interpretation
Acting requires creativity and self-expression, not just following orders.
This quote emphasizes the importance of creative freedom for actors in their craft. While a director provides guidance and structure, it is ultimately the actor's ability to interpret and embody a role that brings authenticity to the performance. Dean asserts that without the space to explore and express their own interpretation, an actor becomes merely a mechanical performer rather than an artist.
In practice
In a drama workshop discussing the nuances of performance and character development.
It was an accident, although I've been involved in some kind of theatrical function or other since I was a child - in school, music, athletics. To me, acting is the most logical way for people's neuroses to manifest themselves, in this great need we all have to express ourselves. To my way of thinking, an actor's course is set even before he's out of the cradle.
Remember: Life is short, break the rules (they were made to be broken) Forgive quickly, kiss slowly Love truly, laugh uncontrollably And never regret anything that makes you smile. The clouds are lined with silver and the glass is half full (though the answers won't be found at the bottom) Don't sweat the small stuff, You are who you are meant to be, Dance as if no one's watching, Love as if it's all you know, Dream as if you'll live forever, Live as if you'll die today
You try to be yourself, do only what you've always done and like to do, and right away, you're tagged as an oddball.
Whatever’s inside making me what I am, it’s like film. Film only works in the dark. Tear it all open and let in the light and you kill it.
If you’re not afraid, if you take everything you are, everything worthwhile in you and direct it at one goal, one ultimate mark, you’ve got to get there.
Am I in love? Absolutely. I'm in love with ancient philosophers, foreign painters, classic authors, and musicians who have died long ago. I'm a passionate lover. I fawn over these people. I have given them my heart and my soul. The trouble is, I'm unable to love anyone tangible. I have sacrificed a physical bond, for a metaphysical relationship. I am the ultimate idealistic lover.
In the NUDE, all that is not beautiful is obscene.
I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples.
I want to be an improviser, and I've worked very hard at that. It's an art. You don't just play whatever comes into your head; you have to be very deliberate about what you do.
The slightest thing can ruin a scene, but you must be willing to take chances.
You could say that it's in talking movies that inner life begins to appear. You can see things happen to the faces of people that were neither planned nor rehearsed.
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically — that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.
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