Bad actors try to cry, and good actors try not to. Bad actors try to laugh, and good actors try not to.
Martin LandauRead
I run the Actor's Studio on the West Coast, and one of the things I say all the time to the people I teach - many of whom are acting teachers - is that an actor needs to make choices that make him present.
Interpretation
Actors should actively make choices that enhance their presence on stage.
In this quote, Martin Landau emphasizes the importance of conscious decision-making for actors to achieve a compelling presence in their performances. He suggests that making deliberate choices can significantly impact how an actor connects with the audience and experiences the character's journey, highlighting the significance of intentionality in the craft of acting.
In practice
In a drama class, a teacher can use this quote to inspire students to make bold choices in their characterizations.
Bad actors try to cry, and good actors try not to. Bad actors try to laugh, and good actors try not to.
I studied with Strasberg, Elia Kazan. They raised the bar. They weren't easy to please, and they made you achieve the best you could do. That's what a teacher does: he infuses you with passion for something.
As a Jew, there's a need to keep that atrocity alive. There were Catholics and gypsies and homosexuals who died in the Holocaust, too. It's amazing that people allowed this slaughter to take place. There's a need to make these films and reiterate it happened.
I love to see lack of clarity in a performance as well as clarity, as well as trust, as well as the kinds of things that human beings go through. I love to see spontaneity and 'inevitability.' How it gets there is going to shock the hell out of me, but it will get there somehow.
People think I'm a very serious actor, which I am. But you know, if you don't have a sense of humor doing what I do, you perish.
Dialogue is what a character's willing to share and reveal to another character, and the 90% they aren't willing to share is what I do for a living.
With every book, you go back to school. You become a student. You become an investigative reporter. You spend a little time learning what it's like to live in someone else's shoes.
You learn from a conglomeration of the incredible past - whatever experience gotten in any way whatsoever.
Kids are never the problem. They are born scientists. The problem is always the adults. They beat the curiosity out of kids. They outnumber kids. They vote. They wield resources. That's why my public focus is primarily adults.
Human resources are like natural resources; they're often buried deep You have to go looking for them; they're not just lying around on the surface You have to create the circumstances where they show themselves.
I want to venture out into music education for kids. As a child, I was discouraged by a lack of money, and now I want to use my platform to give back to kids without resources.
A workshop is a way of renting an audience, and making sure you're communicating what you think you're communicating. It's so easy as a young writer to think you're been very clear when in fact you haven't.
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