The universe is made of stories, not of atoms.
Muriel RukeyserRead
The actual world, not some fantastic structure that has nothing to do with reality, must provide the material for modern poetry.
Interpretation
Modern poetry should be rooted in real experiences and truths from the actual world.
Muriel Rukeyser emphasizes that poetry should be inspired by genuine aspects of reality rather than whimsical or fantastical ideas that have no connection to the truths of life. This perspective underscores the importance of authentic human experiences and emotions as the foundation for artistic expression.
In practice
This quote could be used in a lecture about the significance of authenticity in literature.
The universe is made of stories, not of atoms.
A work of art is one through which the consciousness of the artist is able to give its emotions to anyone who is prepared to receive them.
In our period, they say there is free speech. They say there is no penalty for poets, There is no penalty for writing poems. They say this. This is the penalty.
Nourish beginnings, let us nourish beginnings. Not all things are blest, but the seeds of all things are blest. The blessing is in the seed.
The town of Gauley Bridge stands as a pattern for all those places where people are linked even in the middle of their suffering, where people fight against an evil condition so that other people need not go through the same fight.
Always our wars have been our confessions of weakness
If you want something from an audience, you give blood to their fantasies. It's the ultimate hustle.
It was thought, perception, sensations that interested her, the conscious mind as a river through time, and how to represent its onward roll, as well as all the tributaries that would swell it, and the obstacles that would divert it. If only she could reproduce the clear light of a summer's morning.
With stammering lips and insufficient sound I strive and struggle to deliver right the music of my nature.
Audience members are only concerned about the story, the concept, the bells and whistles and the noise that a popular film starts to make even before it's popular. So audiences will not be drawn to the technology; they'll be drawn to the story. And I hope it always remains that way.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
I wanted to be Stan Laurel, then I wanted to be Fred Astaire and then Captain Kangaroo. I actually started out as a radio announcer when I was 17 and never left the business so that's literally 70 years.
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