All my adult life I have been searching for the right adjective to describe my father's peculiarly aggressive comic style. I recently settled on 'defamatory.'
Interpretation
The quote highlights the speaker's struggle to aptly characterize their father's unique comedic approach, eventually choosing a term that captures its controversial nature.
Martin Amis reflects on the challenge of finding the right words to describe his father's distinctive comedic style. While searching for an adjective, he concludes with 'defamatory,' suggesting that his father's humor was both aggressive and potentially harmful, indicating a complex relationship between love, art, and the nature of comedy.
In practice
In a speech about the complexity of familial relationships and humor.
Oh Christ, the exhaustion of not knowing anything. It's so tiring and hard on the nerves. It really takes it out of you, not knowing anything. You're given comedy and miss all the jokes. Every hour you get weaker. Sometimes, as I sit alone in my flat in London and stare at the window, I think how dismal it is, how heavy, to watch the rain and not know why it falls.
Sometimes I feel that life is passing me by, not slowly either, but with ropes of steam and spark - spattered wheels and a hoarse roar of power or terror. It's passing, yet I'm the one who's doing all the moving.
You know how it is when two souls meet in a burst of ecstatic volubility, with hearts tickling to hear and to tell, to know everything, to reveal everything, the shared reverence for the other's otherness, a feeling of solitude radiantly snapped by full *contact* - all that?
Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.
Jane was my wicked stepmother: she was generous, affectionate and resourceful; she salvaged my schooling and I owe her an unknowable debt for that. One flaw: sometimes, early on, she would tell me things designed to make me think less of my mother, and I would wave her away, saying, Jane, this just backfires and makes me think less of you.
Don't dumb down; always write for your top five percent of readers.
Adapting a novel is not really about being faithful to every word and every moment the author has created. It's more about that same story being filtered through somebody else's sensibility.
If you believe in Cinderella, and if you can suspend your disbelief at midnight, then you can believe in the interdisciplinary midnight, the 'in-betweens,' and become fortunately entangled, moving from art to science.
Every great film should seem new every time you see it.
To write a symphony is, for me, to construct a world.
As far as the filmmaking process is concerned, stars are essentially worthless - and absolutely essential.
I suppose one of the challenges of writing the word-side of music these days is trying to decipher and communicate how this planet is very overwhelming at this point. The difficulties we face are overwhelming. It's very difficult to give yourself the time to breathe and appreciate the joy and beauty that might be just right around us.
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