People say to me, 'You seem to have made this conscious decision to do independent films'. In reality, I haven't. After each movie, I always think, 'how different can I possibly be? Is this going to challenge me, is this going to inspire me, and is this going to make me love my job more than I already do?'
Interpretation
Kate Winslet emphasizes the importance of choice and challenge in her career as an actress.
In this quote, Kate Winslet reflects on her journey in filmmaking, revealing that her selections of roles in independent films were not premeditated decisions but rather spontaneous choices driven by a desire for creative challenge and personal inspiration. She seeks projects that provide her with the opportunity to grow, love her craft more deeply, and continuously evolve as an artist, which speaks to the heart of artistic integrity and passion.
In practice
In a film industry panel discussing the nature of artistic choices.
As a child, I never heard one woman say to me, "I love my body". Not my mother, my elder sister, my best friend. No one woman has ever said, "I am so proud of my body." So I make sure to say it to Mia , because a positive physical outlook has to start at an early age.
What I am very, very moved and struck by is that so many people in the world are often living a life that they hadn't planned for themselves. And they wake up one day and say, 'Hang on. Who am I? Is this really me? Is this what I really wanted?' And also, 'Can I change it? Have I got the courage to change it?'
Real luxury is having the time to read endless stories in bed with my children. And I get that all the time. I'm so blessed.
If you're not still learning and growing as an actor, then you have no backbone and no career
I think there's a lot of pressure on young people to really be the thing that everyone is telling them that they are, opposed to discovering it for themselves.
I've decided I am going to start loving my backside because I don't know anyone who does that. And for my daughter, I want to be able to say to her, 'I love this.'
There is only one place to write and that is alone at a typewriter. The writer who has to go into the streets is a writer who does not know the streets. . . when you leave your typewriter you leave your machine gun and the rats come pouring through.
There are a couple of strategies for writing about an absence or writing about a loss. One can create the person that was lost, develop the character of the fiancee. There's another strategy that one can employ, maybe riskier... Make the reader suffer the loss of the character in a more literal way.
No story lives unless someone wants to listen. So thank you, all of you.
It would be a lowly art that allowed itself to be understood all at once.
But all art is sensual and poetry particularly so. It is directly, that is, of the senses, and since the senses do not exist without an object for their employment all art is necessarily objective. It doesn't declaim or explain, it presents.
My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship.
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