Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
Junot DiazRead
There are a couple of strategies for writing about an absence or writing about a loss. One can create the person that was lost, develop the character of the fiancee. There's another strategy that one can employ, maybe riskier... Make the reader suffer the loss of the character in a more literal way.
Interpretation
The quote discusses strategies for depicting absence and loss in writing.
Junot Diaz highlights two approaches writers can take when addressing themes of absence and loss. The first is to create a vivid character for the person lost, providing a sense of connection and depth. The second, more daring strategy, involves immersing the reader in the experience of loss itself, which can evoke a more profound emotional response.
In practice
In a writing workshop, a participant may use this quote to discuss narrative techniques.
Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
Run a hand through your hair, like the white boys do, even though the only thing that runs easily through your hair is Africa.
I can see myself watching him shave every morning. And at other time I see us in that house and see how one bright day (or a day like this, so cold your mind shifts every time the wind does) he will wake up and decide it's all wrong. I'm sorry, he'll say. I have to leave now.
Migration gives a blank cheque to put anything you don't feel like addressing in the memory hold. No neighbours can go against the monster narrative of your family.
We all dream dreams of unity, of purity; we all dream that there's an authoritative voice out there that will explain things, including ourselves.
I think 90% of my ideas evaporate because I have a terrible memory and because I seem to be committed to not scribble anything down. As soon as I write it down, my mind rejects it.
I want the ballet world to be given the respect that it deserves and to be seen by more people - for so many to experience the beauty that I've received from the ballet world.
I really don't know what exactly all the songs mean. Sometimes other people have meanings and when I hear them I think, 'That's really a better meaning than I thought, and perfectly valid, given the words that exist.' So part of what makes a song really good is that people take in different meanings, and they apply them, and they might be more powerful than the ones I'm thinking.
Rock 'n' Roll is a combination of good ideas dried up by fads, terrible junk, hideous failings in taste and judgment, gullibility and manipulation, moments of unbelievable clarity and invention, pleasure, fun, vulgarity, excess, novelty and utter enervation.
When I was building the Vietnam Memorial, I never once asked the veterans what it was like in the war, because from my point of view, you don't pry into other people's business.
I've written only two novels, but they're both long ones, and they each took a decade to write.
So What or Kind of Blue were done in that era, the right hour, the right day. It's over; it's on the record.
Subscribe for the occasional hand-picked quote. No noise.